Jim Allchin Overclocked Sandy Key Music JA002 Lovers of blues guitar are going to love this one for sure. Jim Allchin is an exceptional guitarist. Add to that the fact that his playing is tasteful and passionate and you have a winning combination. Jim did not grow up with a silver spoon in his mouth, but worked hard for everything he got. When he plays it is emotionally charged, yet technically right on the mark. He walks that tightrope like a highly trained circus performer. Overclocked is a diverse work, running from soulful instrumentals to ballads and hard-rocking, in your face pieces that leave no doubt as to where he stands. He flows effortlessly from style to style, shifting gears from hard-driving to soft and gentle as a Spring rain, making it sound easy. It should also be noted that Jim wrote all the tunes on the album, making it that much more impressive as there is not a bad number in the lot. An absolute must for guitar lovers, Overclocked has a little something for everyone regardless of your style preference. An incredible guitarist, Jim Allchin does not go out there and overdo it, though he certainly has the ability. As far as guitarists are concerned it has been a long time since I have heard anyone better. If I had to describe his playing in a word, that word would be class. 'Nuff said! - Bill Wilson Pete Anderson Even Things Up (Deluxe Edition) Little Dog Records LDVT001 Pete Anderson is a diverse musician and songwriter. Even Things Up is the fifth solo release for this Grammy winning guitarist who is most widely known as the musical partner of Dwight Yoakum for whom he produced, arranged and played from 1986-2003. Even Things Up sees a return to his first love, the blues. This recording is immaculately played, well-written, beautifully arranged and, in all honesty, a real work of art. This band is tight, playing like a well-oiled machine. If I had to describe this disc in just a few words, those words would be "absolutely beautiful." This is one of those pieces with a timeless quality…the kind of thing you could swear you've heard before. The Deluxe Edition of this recording includes four cuts not included in the original release, and well worth owning. This release would make a good addition to any blues lover's collection. There are reasons why Anderson has met with such wide acclaim. One listen to this disc will answer any questions on the subject. Buy this album. It is money well spent. - Bill Wilson Marcia Ball Roadside Attractions Alligator 4942 Marcia Ball is going stronger than ever. With better than a dozen albums to her credit and appearances on a hundred or more pieces by other artists, various artists pieces and the like, she shows no signs of slowing down in the least. She is another artist with a timeless quality that will sound every bit as good fifty years down the road as it does today. I have a two year old grandson in Texas who loves her to death. He could not stop dancing when she played. Elderly listeners in the crowd were experiencing the same problem. All songs on Roadside Attractions were written by Marcia and there's not a second-rate tune in the bunch. Her material is relevant to today's listening public and cuts straight through to the heart. The music world is by far a better place with Marcia Ball at work, doing what she loves. This is a woman with a true love for the music and the skills to pull it off. She began playing piano at the age of five, taught by her grandmother and aunt and also taking formal lessons from a teacher. She lists early influences as Irma Thomas, Professor Longhair, and Etta James among others. She grew up in an area rich in music, listening to some of the best in the business and Marcia soaked it up like a sponge. A student of the music, she loves the songwriting process above all and the results are obvious. Marcia Ball is here to stay and the world is a much brighter place as a result. - Bill Wilson Barbecue Bob & the Spareribs Go Down South Self Produced Not to be mistaken for Barbecue Bob Hicks, the original, who recorded through the 1920s and into 1930, when he died at the age of 29 from pneumonia, the Barbecue Bob represented here is Robert Pomeroy, an exceptional guitarist, harmonica player and vocalist. He is a great songwriter, phenomenal storyteller and puts his own unique spin on some classics, essentially making them his own. A real crowd pleaser, Bob can have an audience eating from his hand before the end of the first song. This band can tear it up with the best of them or bring it down low and slow, setting that romantic mood. Whatever you do, do not attempt to put them in a box. They will bust it out at the seams to be sure. The band has an enduring sound that sounds as if they have been playing for ages…the kind of sound that will never grow old. Great in a festival setting, I can only imagine that this band would fare even better in a small smoke-filled room. It did not take long for Barbecue Bob to become one of my favorite bands. They have the tools to get the job done and do that job well. Without exception, Barbecue Bob and the Spareribs will leave the audience fully satisfied and wanting for more. If you get the opportunity, see the band…the experience is well worth the effort. Not only is the music superb, Barbecue Bob is an unforgettable experience in his own right. Be forewarned, it can be an addictive experience. I recommend this CD and the band wholeheartedly. - Bill Wilson The Big Boy Little Band Live From the XM Satellite Big Train Records BT101 This is a band with heart, soul and real power. This band looks like its members have been around the block a time or three. Their history shows that to be pretty much true, going to the finals in the International Blues Challenge in 2010 and guitarist Matt Kelly won the 2010 Albert King Award, judged the competition's top guitarist Big Boy Little has been playing the DC area with his band since 1967 with a solid emphasis on the blues. His philosophy is that "Blues has to be played just right. It's not rock, it's not jazz, it's blues. And playing blues is what I do." They do it exceptionally well. Awards are nice but they don't show the years of hard work and dedication that a group puts into their work. This band has paid their dues, playing clubs to toilets, at time feeling as if they had to put their own quarter in the slot before they could get in. Night after night, sometimes to standing room only crowds but at times to the club's owners and staff alone. Each time they poured out their hearts as though it was S.R.O. at Carnegie Hall. They are doing what they love and it shows. "Live From the XM Satellite" features eight originals and one cover tune, showcasing their songwriting abilities. This band is solid as it gets, no frills, just rock solid blues from their hearts to those of the listeners. Quite frankly I get the impression that they are not trying to impress anybody in particular. They play what they play because they love it, no less, no more. Keep up the good work guys. - Bill Wilson Big James & the Chicago Playboys Right Here, Right Now Blind Pig 5131 Big James and the Chicago Playboys are very much in the vein of Little Milton and the like. This is straight ahead Chicago soul/blues with lots of funk and soul. Phat horns and a richness and depth that is not easily achieved, this is the real deal through and through. One of the reasons I love blues as much as I do is the diversity of styles. Charley Patton and Big James can play back to back and the thread stays intact. Lead vocalist and trombone player, Big James Montgomery is a tremendous showman and bandleader and one great storyteller. This is music that will draw you close to that special someone and turn up the heat exponentially. This is as good as soul/blues gets…smooth, soulful and burning with passion. It feels good to know that someone is stepping up to perform this particular style. As the old guard continues to age gracefully, the young lions are learning their lessons well. James worked with Little Milton for two years, moved on to play with Albert King, Johnny Christian, Buddy Guy and more. This band has all the tools they need to get the job done…well, and are diverse enough to keep it interesting. From hardcore soul/blues, this band can slide effortlessly into straight-ahead Chicago blues. Not unlike fishing with multiple hooks, this band can hook you from any number of directions. One thing's for sure…there'll be no putting this band into a box. Give them a listen. Something here will catch your ear for sure. - Bill Wilson Randall Bramblett, Geoff Achison and Friends Jammin' In The Attic Hittin' The Note Records HTN103 American Roots Music at its finest, Jammin' In The Attic was recorded live at Eddie's Attic, in Decatur, GA on June 10, 2010. Imagine, if you will that place where blues, jazz, funk, rock and R&B meet. That was my first thought as this disc began to play. I guess what this boils down to is a handful of old friends, all accomplished musicians, came together and had a bit of fun. The resulting CD is one of those pieces that defies labeling and holds your attention from start to finish. This disc has a timeless quality that makes the listener feel as if this has been among his favorite pieces forever. These guys find the groove and ride it for all it's worth, with the full understanding that all good things must come to an end. Two of the business' finest songwriters and musicians, Bramblett and Achison blend their styles flawlessly making for a sound that, while perhaps not purely blues was good enough to make even me, a crusty old devil who has dedicated the past four decades or more to blues sit up and take notice. The effortless blending of styles, while at times boggling the mind, sounds as natural as lovers exchanging affections. While not purely a blues piece, Jammin' In The Attic needs to be heard to be believed. This one gets a big thumbs up. - Bill Wilson Eden Brent Ain't Got No Troubles Yellow Dog Records Eden Brent has always been a great pianist and an outstanding vocalist, but "Ain't Got No Troubles" shows a maturity that was not fully developed previously. Frankly this album sounds as if it could have been recorded in the 20s or 30s. If I had to describe this one in a word it would be "sweet." Brent has proven herself to be much more than a flash in the pan. This woman is here to stay. While young, she was raised in Mississippi and totally immersed in the culture, thus giving her deep wells of experience to draw from. Unlike many other forms of music that are made up as writers go along, in blues it is impossible to separate the music from the culture. While much has changed in the Deep South, much remains the same. Old habits die hard but thanks to the likes of Eden Brent, there is a new day coming. In the early days black and white music were growing up side by side, so similar in so many ways yet worlds apart in others. Thanks to the young folks who have chosen to embrace their culture and maintain some of the traditional styles, the music has survived. Yes, it is changing, but as long as it is remembered and kept alive and fresh by the young lions who have chosen the way of the bluesman or blueswoman, it will remain. I hear in her the influences of the old masters as well as perhaps a touch of Carole King somewhere in the background. Whether originals or covers, traditional or more contemporary, Eden Brent has that certain something that makes a crowd sit up and take notice. Miss Brent is the real deal and hopefully here for some time to come. She has what it takes to join the ranks of the Blues legends. "Ain't Got No Troubles" is well worth it even at twice the price. - Bill Wilson The Cash Box Kings Holler and Stomp Blind Pig 5142 For this recording, The Cash Box Kings, who normally keep their feet planted firmly in the Chicago Blues sounds of the 40s and 50s, took it to where the blues and country intersect. They remain firmly planted in the blues, but do some numbers with a bit of country flavor. Hank Williams, who in my opinion is one of those guys who always held close to the blues as a matter of principle is covered here on "Blues Come Around" as well as a country blues number recorded by Muddy Waters. In short, this is a blues album through and through with a nice mellow tone that is easy on the ears and is completely timeless. This disc is about equally divided with seven originals and five well-chosen covers, and it is hard to distinguish one from the other except for the fact that anyone with a musical background will have heard the covers. Straight ahead tunes with no theatrics and no fancy frills, Holler and Stomp is one of those recordings that you will find yourself playing frequently. I was happy to see a handful of old friends in the line-up including Kenny "Beedy Eyes" Smith on drums, Billy Flynn on guitars, and Barrelhouse Chuck on keyboards. This band is tight, knows the material inside and out and loves it wholeheartedly. I fell in love with this piece from the opening notes. It is a keeper to be sure. - Bill Wilson Tommy Castro The Legendary Rhythm & Blues Revue Alligator Records ALCD 4943 While perhaps more accurately a various artist collection, this piece was pulled together by Tommy Castro and is, in essence, his baby. Culled from the Legendary Rhythm & Blues Cruise in 2010 and hosted by Tommy Castro, this piece features just a small part of the activity that took place on the party boat of all party boats. Tommy Castro, who has become the honorary captain of the cruise, pulled together Michael Burks, Joe Louis Walker, Monica Parker, Rick Estrin, Janiva Magness, Theodis Ealey, Debbie Davies and more to take the show on the road. For the countless numbers of us who could not make the cruise, this disc is the next best thing. Fiery, dynamic, powerful and about as much fun as you can have clothed, straight and sober, The Legendary Rhythm & Blues Review is one of the finest live recordings you will find anywhere. This one captures the power of the show, leaving the listener with a true sense of having been there. From hard driving blues/rock to slow burning ballads, there's something on here that will suit anyone's taste. This one is a guaranteed winner. Tommy Castro is a winner in every sense of the word and, as for the supporting cast, there's not a dog in the bunch. - Bill Wilson Chicago Blues A Living History The (R)evolution Continues Raisin' Music Productions RM1004 With this second two disc volume, the story continues. The evolution of the blues not only laid the foundation for rock & roll and pop music as we know it but shaped American culture and people's lives and has continued to do so throughout the ages. This second installment shows the beginning of the move from classic Chicago blues to the music we would come to call rock & roll. The transformation, while not the dynamic "Blues is dead and Rock & Roll is here to stay," is distinct. Muddy Waters said "The blues had a baby and they named it rock and roll." This is the story of that birthing in song. The basics of this recording start with Billy Boy Arnold, John Primer, Billy Branch, Lurrie Bell and Carlos Johnson with their bands. Added to that mix we find special guests Buddy Guy, James Cotton and Magic Slim. The set also features Ronnie Baker Brooks, Zora Young and Mike Avery. Any number of artists could have been used just as easily but this combination works well. As seen here, the transformation seemed rather smooth and distinctive, but truth be told, it was anything but. The music world has always been a battleground of sorts, each band fighting for position in the ranks and on the radio charts. The tunes gathered here were originally recorded from 1942 to 1998. As with the birth and growth of any child, it is a long, hard process, complete with the rebellious stages and ending with things coming full circle, with the "child" eventually reflecting in many respects the look, sound and feel of the parents. Today we see old tried and true rock & roll masters returning to their roots and incorporating more and more blues in the mix. As for me, I'll have my blues straight up with a side of bourbon in a dark smoke-filled room. Chicago Blues A Living History The (R)evolution Continues tells the story accurately, eloquently and with a style that is blues through and through. The first two volumes of this series should have a place in every collection. One might even imagine a third volume, perhaps titled "the Prodigal Son Returns," but that is a question for another day and for those whose pay scale is far above mine. We will wait and see but do not be surprised if it does happen. As for the quality of the music found on these volumes, it is almost silly to bring it up. Many of the finest players in the business are represented. - Bill Wilson Bob Corritore & Friends Harmonica Blues Delta Groove Music DGPCD139 Harmonica Blues consists of fifteen wildly diverse tracks recorded to celebrate the forty years since Bob picked up a harmonica. What I like most about this recording is having another opportunity to hear the many artists who have passed on since the tunes were recorded. The disc starts off with Koko Taylor, Louisiana Red, Dave Riley, Nappy Brown and Eddie Shaw. Up next in the line-up we have Robert Lockwood Jr., Big Pete Pearson, Tomcat Courtney, Eddie Clearwater and Henry Gray. Ending the set we have numbers by Pinetop Perkins, Chief Schabuttie Gilliame, Honeyboy Edwards, Carol Fran and Little Milton. This list does not even take into consideration the bands backing each of the headliners…a list that is equally impressive. The recording dates range from 1989 to 2009. The diverse styles pay tribute to Corritore's skills as a harp player. At the very least, Bob should be thanked for preserving the work of so many legendary figures and making them available in one place. To pick a favorite tune would be impossible, kind of like asking a mother to choose one of her children. I would recommend this one for the diversity alone. It is pretty much like taking a walk through Chicago Blues history. I commend Bob for his restraint and respect for the artists. Too many harp players would have taken liberties and played over the headliners. If anything, a lot of his harp work is understated. If you are a fan of Chicago Blues, I recommend this one highly. - Bill Wilson Delta Flyers Sixteen Bars Soulbilly Records 2010 Delta Flyers strike a chord that rings true and clearly above the rumble and confusion that I have been hearing far too often in this day when everyone wants to be a blues star. Most of us can remember the time when even the greatest of the Blues giants were asked to release Disco albums simply because it was in vogue. Thank God few complied and even those who did left their mark. Delta Flyers are about nothing but pure Americana…blues, soul and what flows naturally from their hearts. "Sixteen Bars" is comprised of ten original tunes that ain't nothin' but the truth. The real deal through and through, the Delta Flyers tell it like it is. Pure and simple, this is all about having a good time. The musicianship is immaculate, the arrangements are right on the money and the vocals, while perhaps rough and at times gritty, tell the stories beautifully…and these guys are masterful storytellers. Pure of heart and dedicated to the music they love, this band has found their niche and the love and soul come through aimed straight at the heart of the listener. While it might have an old-timey feel, the Delta Flyers "Sixteen Bars" is fresh and has a valid message for today's listener. I recommend it highly. This is one piece that should come with a money back guarantee. It matters not, as I sincerely doubt that there is one listener out there who will not become an instant fan. I recommend buying several copies, share the love with your friends…I did! - Bill Wilson Sena Ehrhardt Band Leave The Light On Blind Pig 5141 Yes, Sena Ehrhardt is another pretty face belting out the blues like the Devil's hot on her tail. Leave the Light On is a solid blues album with one of the hottest vocalists I've heard in a while. With a backing band that consists of her father, Ed on guitar, Steve Hansen on bass, and Tim Hasler on drums, Sena Ehrhardt belts out some great stuff. Recently signed to Blind Pig after the label's president was told of the band and showed up for a performance, the Sena Ehrhardt Band put together ten original tunes for their debut album which was released on August 16th. Good choice! The material is fresh, powerful and showcases the band's many talents very well. It doesn't get much better than this. The guitarist's work is flawless…powerful without having to play every note he knows in the first lick and the rhythm section is tight and right on the money. Then, there's Sena…perhaps the perfect package, this woman is beautiful but does not have to rely on her looks to get the crowd's attention. I liked this album very much, will recommend it highly and am looking forward to what the band does next. The band has what it takes, no questions asked. - Bill Wilson Grand Marquis Hold On To Me Self-Produced GMCD006 Representing Kansas City in grand style, Grand Marquis delivers on of the hottest swing CDs since the days when Count Basie and Louis Jordan reigned as kings. Immaculate musicianship, superb arrangements and a true sense of the era and style make this more than another one of those retro albums. Hold On To Me is as much a swing era album as if it had been recorded in the 1920's or 30's. The ten covers and three originals give the band a perfect opportunity to strut their stuff and they do everything but hold back. This band plays as if the joint was literally on fire. Much more than simply looking the part and copying some good licks, Grand Marquis transports its audience back in time. Much more than a cover band, this unit works each number for all it is worth, making each and every number their own. There is a party in heaven among the giants of swing, another band has been found worthy of joining their ranks. There's not a bad tune on the disc, but my favorite is probably "Saint James Infirmary Blues." This is one of those albums that urges even the most reluctant feet to get out on the dance floor and cut a rug. If this one doesn't move you, check your pulse…it may be too late. This CD will put a smile on your face and some snap in your step, guaranteed! Give it a good listen, relax and have a good time. - Bill Wilson Henry Gray Lucky Man Blind Pig 8013 Originally recorded in 1988, Blind Pig has reissued this album along with Yank Rachell's Blues Mandolin Man. Lucky Man features Steve Freund on guitar, Andy Cornett on bass (cuts 5 & 10), with Bob Stroger playing bass on the remaining tracks and Willie "Big Eyes" Smith on drums throughout. These twelve cuts showcase the elder statesman of the blues at his absolute best…a superb pianist, great songwriter and dynamic vocalist. Half of the tunes on the disc are well-chosen covers; the remainder are Henry Gray originals. He may well be the last of the old school bluesmen. He has more than 58 albums to his credit, including recordings for the legendary Chess Records label and is credited as helping to create the distinctive sound of the Chicago blues piano. This is not one of those pieces that will blow the top of your head off, but it is rock solid. There's not a bad tune on the disc. This one should come with a money back guarantee…it is truly that good. With the passing of so many elderly bluesmen, Henry Gray is an even rarer gem. Lucky Man is one of those discs that is easy to put in the player and just allow to repeat. If you did not get a copy of the original release, you now have a second chance. - Bill Wilson Buddy Guy Living Proof Silvertone Records 78107 Proudly proclaiming "I'm 74 years young," Buddy Guy is not missing so much as a single note. I have said repeatedly that Buddy Guy and B.B. King are great, but Chicago and Memphis are too far to walk, in an effort to get folks to go out and see local acts. That does not alter the fact that they rate high on my list of favorite artists. Imagine getting them both on the same disc…can it get any better? Try adding Carlos Santana on one of the album's dozen cuts. I could stop here and call it quits, what more is there to say? While King and Santana share one cut each, it is still a sweet surprise. About half of the disc's cuts were written by Buddy Guy; the remainder were written or co-written by band mate Tom Hambridge who also plays drums and percussion. Needless to say the musicianship is flawless, the arrangements are top of the line and the vocals are strong and soulful. There are many good reasons why Buddy, B.B and the like are rated top of the heap. Living Proof is all the proof you need to understand what all the fuss is about. To his credit Buddy has no fewer than 30 albums of his own, not counting those done with Junior Wells and credit on albums too numerous to mention, spanning better than 50 years. He has won countless awards, worldwide and is deserving of every one, no questions asked. If you are familiar with Buddy Guy, Living Proof would make a great addition to your collection…if not, this is a great place to start. Living legends are getting fewer in number every day. Here's hoping that Buddy Guy is with us for quite some time to come. If this release is any indication, he is showing no signs of slowing down. Nuff said! This is a great disc and one that would be a shame to miss. - Bill Wilson Mark Hummel's Blues Harmonica Blowouts Still Here and Gone 1993-2007 Electro-Fi Records 3410 Mark Hummel is one of the finest harmonica players ever to draw breath. His love of the instrument is undeniable. One of his ventures over the past handful of years is what he called his "Blues Harmonica Blowouts." This particular collection, titled "Still Here and Gone 1993-2007" features Mark and almost a dozen of his fellow harmonica players, each a master of the instrument in his own right. True to what the title implies, four of the performers on this double disc set have passed on. The remainder are still hard at work doing what they love. Backed by equally talented musicians these harp players showcase the diversity of the instrument that was once considered little more than a child's toy. The power and passion conveyed on these 21 cuts is a testimony to the heart and soul of the players who dedicate their lives to bringing the best music possible to their audiences. The diversity of styles is nothing short of miraculous and the lengths to which the players go to draw the desired tones from their instrument of choice is mind boggling. Players from old to relatively young go head to head, each showing another facet of the instrument that many consider to be the most emotionally charged instrument in the band. Quite frankly, this is one of the most beautiful compilations I have ever heard. Having been a blues fan for the biggest part of my life and a particularly great fan of the harmonica, I have been following all of these players for quite some time. From the subtle to the purely raw and powerful there is something here to suit everyone's taste. From the incredible storytellers to those who let the harmonica do ALL the talking for them, these performers let no stone unturned when it comes to pleasing an audience. I find it impossible to pick a favorite cut or even artist…every tune, without exception, is superb. Hummel has done an incredible job. His Harmonica Blowouts, regardless of when, where or the particular line-up are shows that are designed to please and they do that quite well. I recommend this collection highly and am reminding our readers that Mark will be presenting one of his shows at the 22nd Annual Billtown Blues Festival on June 12th. - Bill Wilson. Ian Siegal & the Youngest Sons The Skinny Nugene Records NUG1101 Ian Siegal took the Male Artist of The Year Award in the 2011 British Blues Awards to add to his Band of The Year Award last year. Now he has teamed up with the sons of some of the North Mississippi Blues legends for an album that might be considered more akin to southern rock than blues, but the blues undertones are there to be sure. The band, The Youngest Sons, consists of Cody Dickinson, Garry Burnside, Robert Kimbrough and Rodd Bland. To this line-up they have added an assist from Alvin Youngblood Hart, Andre Turner and Duwayne Burnside. Essentially a ragged and loose North Mississippi juke joint-based version of southern rock and blues, somewhat hypnotic, this album and the style in general could be compared to the jam bands. The musicianship here is right on the money and, while it might not sit well with all our readers, it has its place in the blues to be sure. While I prefer my blues in a more traditional style, this sound has been pouring from North Mississippi juke joints for quite some time. In all honesty, the more I listened to this one, the more I liked it. If you like your blues to be hard driving with a southern rock feel this is sure to tickle your fancy. If not, give it a listen anyway…you might just like what you hear. - Bill Wilson The Jeff Golub Band featuring Henry Butler The Three Kings eOne Music EOM-CD-2135 Jeff Golub is a contemporary jazz guitarist with eleven solo albums and three CD's as the leader of the instrumental band "Avenue Blue." He also worked as a sideman for a number of rock artists over the years, including Billy Squier, Tina Turner, John Waite, Vanessa Williams, Ashford & Simpson, Dar Williams, and Peter Wolf. In 1988, Golub was hired to back Rod Stewart, an association that lasted for eight years. He is one man who will not be put in a box, having played about every style known to man, but he has gained a reputation for his smooth style and good taste. The Three Kings is a delightful tribute to B.B., Albert and Freddie King. Jeff had this to say on the album cover: "No one else has had as much influence on as many generations of guitar players as these three guys. This is our humble tribute to B.B., Albert & Freddie - THE THREE KINGS." This one has to go on my list of the most beautiful albums of all time. Golub brings in special guests Robben Ford and Sonny Landreth. He also features Henry Butler, New Orleans based piano player, who gives the recording a real nice touch. This recording is smooth as silk, masterfully played and has a timeless quality that will ensure that it will have the same dynamic impact far down the road. Everything here is played with a high degree of technicality, yet it is emotionally charged to the max. This is a must have for lovers of blues guitar but would be equally pleasant to the general blues fan who has no special interest other than a love for the blues. This one's a keeper any way you look at it. The playing is immaculate, the vocals are superb, the arrangements are wonderful and the album left me feeling good from head to foot. - Bill Wilson JP Soars & the Red Hots More Bees With Honey Soars High Productions 002 When this album started, I expected to see John Belushi and Dan Aykroyd walk through the door. The vocal assist from Robin Rogers on the title track is a real treat. JP Soars and the Red Hots are another one of those bands with that timeless quality, whether they are playing swing, soulful ballads or straight-ahead blues. More Bees With Honey has an unbelievable line-up, which includes Robin Rogers on vocals, Terry Hank and Sax Gordon Beadle on tenor sax, and Jason Ricci on harmonica, among others. Soars is an incredible slide player who has studied about every genre of music available and can play it all. Not to scare off our readers, but he used to be a heavy metal guitarist before winning the International Blues Challenge band competition in Memphis in 2009. Soars, while playing a bit on the wild side at times keeps it well grounded in the blues for this album, which, quite frankly makes me a happy camper. One listen is all it took for me to become a fan. It will be interesting to see where he goes next. Slide guitar fans are in for a real treat. This one may run a bit on the heavy side, but it is blues through and through. - Bill Wilson Candye Kane Sister Vagabond Delta Groove DGPCD148 Candye Kane grabs you from the opening notes and does not let go until she's finished. Her latest release, Sister Vagabond, is no exception. This is a strong album from beginning to end. With nine of the albums thirteen tunes written by Candye Kane, her skills as a songwriter are without question among the best on the scene, past or present. The musicianship is immaculate, and the vocals are strong, sensual and emotionally charged enough to reach straight through to the heart. I am almost ashamed to admit that in the beginning I looked on Ms. Kane as somewhat of a novelty act. Those days are long past. Candye Kane has nothing to prove to anyone. This woman is a force of nature. I was particularly taken with the guitar work on "Walkin', Talkin' Haunted House." The guitar work has a haunting quality that sticks with the listener after the song is finished. This is her tenth CD and she is going stronger than ever. Straight-ahead blues with a touch of swing, try as I might, I could find no fault with this disc. Having been criticized for being soft on artists, I looked for room to find fault with the album. This is one nice piece of work, no questions asked…well worth more than one good listen. Try it; I'm pretty sure you will agree Candye Kane has a staying quality that puts her up among the best. - Bill Wilson EG Kight Lip Service Blue South BSR0611 EG Kight needs no introduction to our readers as she has played here quite a bit over the past several years, recording some of her finest work at a local studio. Needless to say she has quite a fan base in the Williamsport, PA area. Those fans will be happy to know that Lip Service may be her strongest recording to date. All songs on the disc either written or co-written by Kight, her songwriting abilities are showcased well in her latest release. This is blues with a strong country leaning; something that EG, dubbed the "Georgia Songbird" does very well. This is her seventh album since she turned her attention to blues. Raised at home on gospel and country, she was introduced to the music of Koko Taylor by a fan after one of her shows. There was no turning back. EG Kight caught the blues bug and has not looked back since. Lip Service finds Kight in strong voice, the band is tight as any I've heard and Kight's delivery is strong and emotionally powerful. Keep up the good work, old friend. This one is another winner and the "Georgia Songbird" shows no signs of slowing down. Old fans will find this one delightful and, if you have yet to hear her work, this is as good a place to start as any. - Bill Wilson George Kilby Jr. & the Road Dogs Let The Melody Live On Self-Produced GKJLML2 Pure Americana, the music of George Kilby Jr. & the Road Dogs is a melding of good old-fashioned country, blues, r&b, rockabilly and whatever else it takes to get the job done. Kilby is another one of those artists that will not be put in a box. That, in my book puts him in some good company. Hank Williams learned guitar from a bluesman, so many of the bluesmen I've met over the years loved country music, and Jimmie Rodgers, "The Singing Brakeman" and the master of the Blue Yodels is considered the father of country music while there is no denying that he is a bluesman through and through. Elements of barrelhouse and jazz as well as straight ahead blues and country can be heard on this disc. My favorite cut in many respects and the most down home blues piece on the album is probably "Sunny Roads" which features Pinetop Perkins, Charles "Honeyboy" Otis, John Hatten and Jimmy Wood. Call it what you will, in a word I call this disc GREAT. It takes me back to a time when music was either good or bad and the source was irrelevant. One thing that can be said about this band is that they are diverse. They will most likely have the entire crowd on their feet dancing before the set is finished. George has been involved in a number of Pinetop Perkin's releases in one respect or another. One thing I will not do is argue with Pine. If he is good enough for the king of the piano players, who am I to argue? "Let The Melody Live On" is solid, extremely diverse, easy on the ears and easy to dance to. It doesn't get much better than that. This one, while it may not fulfill the needs of blues purists, it got my undivided attention and my highest recommendation. This one is as comfortable as a well worn denim but with such diverse stylings it might be more like a coat of many colors. I hear the influence of so many of my favorite artists here and yet George Kilby Jr. maintains a style that is distinctly his own. - Bill Wilson Al Lee Ain't Playing the Game Mapleshade Records 08752 Al Lee and Ben Andrews got together in 2001 and recorded Ain't Playing the Game. While it has been in my possession all this time, it somehow slipped through the cracks and was not reviewed until now. I was given a copy by Al Lee when he visited me with Ben at my home after I was told by doctors that I should not attend the Billtown Blues Festival for health reasons. I apologize for the long wait, but hope I can do the CD justice. As our readers know, Ben recently died under somewhat suspicious circumstances. That said, here we go. Al and Ben, despite difference in guitar styles managed to blend those styles beautifully on their album that is a blend of folk, blues and gospel. Ben and Al had become fast friends during one of Ben's trips to the UK to tour. That bond is reflected in the music. Both guitarists performed flawlessly and Al's vocals were impeccable, comparable perhaps to James Taylor or Bill Wilson (no relation). Having listened to this recording repeatedly, I apologize to Mr. Lee. This should have been done a decade ago and while I could use my health as a reason, I simply let it fall through the cracks. It was not until Ben's demise that those hours we spent talking came flooding back along with memories of this disc. It is nothing short of breathtaking, perhaps more Americana than Blues, but purely delightful nonetheless. Friends of Ben should know that he is on every cut with the exception of the first. - Bill Wilson Ray Manzarek & Roy Rogers Translucent Blues Blind Pig 5140 This was a tough one for me to review to be sure. I am a hardcore traditional blues enthusiast through and through. Translucent Blues shows influences of blues, rock, jazz and the poetic influence of Warren Zevon, Jim Carroll and jazz poet Michael McClure. Note that this recording may not be a great fit for every listener's taste but, please give it a close listen. While the music may at times take us in a whole new direction, the blues influence is clearly evident. I found myself getting swept away in the music into what I would almost describe as a dream. I see the mean street but I see the hope for a brighter future as well. If I had to boil this one down to a single word it would be "powerful." Once I threw my preconceived ideas out the window I began to see that was happening with the recording as a whole. This was a brave step in a world where things are either black or white and all shades of grey are gone. Translucent Blues shows true vision. The blues is here in an extremely powerful way should you care to listen. I found the music to be flawless and the lyrics hit home on a deeper level than usual. This is certainly not your Dad's blues but if you care to listen their influence is anything but subtle. In closing I feel somewhat compelled to say "When the music's over, turn out the lights." Sorry about that folks…I really am. - Bill Wilson Andrea Marr Little Sister Got Soul! Blue Skunk BS4524 I go through long stretches when I feel that soul music is one of those things whose day is past. Then, something miraculous happens…the slot in my door opens and I am blessed with some of the best stuff I've heard in quite some time. The Chicago area's Blue Skunk Music has released a CD by Andrea Marr that is reminiscent of what I was hearing when soul was king. Little Sister's Got Soul has it all…a strong vocalist with the power to melt the soles of your shoes or to blow those shoes right off your feet, depending or her mood or the cut you choose to listen to. Andrea Marr pours 100% of her heart and soul into every cut, never delivering less than her all. Little Sister's Got Soul! is soul the way it was meant to be, mixed with enough pure, raw blues to reach straight to the heart. Andrea Marr delivers the goods with pure raw emotional power. This is one of those albums that grabs you from the opening notes and leaves you hoping she never lets go. Then, there's the band. I have said a hundred times if I've said it once, no performer can be better than the band backing them up. In this case, that is not a problem. This band is as solid as bands get, their playing is right on the money, soulful, yet technically right on the money. Their arrangements are flawless and they play with a power that can only be reached when the band loves the music with their entire being. There is no doubt that this band loves the music. Like a throwback to the days when soul and blues were indistinguishable, Marr is a voice that will not be silenced and I, for one, am glad of it. This album and the folks responsible for putting it together are real winners. - Bill Wilson Midnight Shift Rhythm Rockin' Boogie Cabernet Records 009 Those regional boys are at it again. "Rhythm Rockin' Boogie" is just what the title implies…solid blues with that bit of swing that keeps the dance floor jumpin. Mike Mettalia and the boys find the groove and are masters at riding it through to the end. Their blend of blues, swing, rockabilly, and R&B make for a show that has a little bit of something for everybody. This is the kind of CD that could be put on repeat in your player and you'd get no complaints. The band is solid through and through but the addition of some special guests is an added bonus. Among those guests are harmonica master Steve Guyger, Tommy Conwell, Chicago Carl Snyder and more. My personal favorites would have to be the harmonica teamwork by Guyger and Mettalia. It is nothing short of mesmerizing. The harp work alone is enough reason to buy the disc but the playing overall is flawless, the arrangements are superb and the disc is nothing short of top-notch. Midnight Shift plays the stuff that has kept juke joints jumpin' through the ages. At the end of a hard week folks just want to let their troubles behind them for a while, down a few drinks, maybe spend some time on the dance floor with Mr. or Mrs. Right, or at least right at that moment. This music fills that need. Easy to dance to, direct from the heart and most important of all, fun! Mike Mettalia and company deliver the goods with power and authority. Their mastery of the styles and love for the music hit true to the hearts of their listeners. That said, turn it up and enjoy yourself…I did. - Bill Wilson Miss Melanie & the Valley Rats Slow Down Apache Music APC-FE 1326 My first thoughts upon hearing of this band was that it would be reminiscent of local legends Queen Bee & the Blue Hornet Band. Both Melanie Morrison and Tonya Brown are exceptional vocalists, but the idea of drawing comparisons was dispelled immediately when Melanie Morrison opened her mouth and began to sing. While some band members are the same that is where the comparisons end. Even songs that were covered by both bands were considerably different. The two vocalist's styles are as different as apples and oranges. Even the band's approach is different. Fronted by Melanie Morrison on vocals the band features Mark Ross on guitar, Jack Wilkinson on drums, Rev. Harton on organ and accordion, and John "JK" Kennedy on bass. Morrison has a voice that is reminiscent of Etta James, sultry, smoky and very highly emotionally charged. This woman could charm the robes off the Pope…no offense intended. The band is equally emotionally charged, coming from the school of feelings rather than technical perfection. Don't get me wrong, this band can hold their own with the best of them from either standpoint. Wilkinson and Kennedy are a superb rhythm section…the type that blends so well that they could almost be missed, understanding full well that a band is a single unit rather than five individuals competing on the same stage. This band operates like a well-oiled machine with each member doing his part to compliment the overall sound and it works extremely well. Harton is incredible on organ and accordion and Mark Ross has lost nothing over the years as a guitarist. This is one of the tightest, most powerful bands I've heard in a while. They know how to mix things up, flowing seamlessly from blues to R&B, rock, country and even polka. Slow Down offered one thrill after another; the band's repertoire was so diverse. Among my favorite tunes on the disc were Hank Williams' "Cold Cold Heart" and the title tune, "Slow Down," which is one of the band's many originals. This is one disc that belongs in the collection of everyone in our area as well as lovers of Americana or just music in general. While I was not surprised by the strength of this album, I was overwhelmed by its diversity. - Bill Wilson Laurie Morvan Band Fire It Up Screaming Lizard Records 0004 Rock solid hard driving blues, all tunes written by Laurie Morvan…"Fire It Up" is a great showcase for the guitar, songwriting and vocal skills of Laurie Morvan, not to mention the band that is as tight as any I've heard. With Laurie Morvan on guitar and vocals, Pat Morvan on bass, Kevin Murillo on drums and Lisa Grubbs and Carolyn Kelley on background vocals, the Laurie Morvan Band rocks it out with the best of them, never losing sight of their true love, the blues. Morvan is a superb guitarist and a great storyteller. Her songs are drawn from wells of her own experiences, giving them a power and believability when she performs them for her audience. It is the life experience that allows the songs to be delivered with such power and passion. Among the scores of up and coming female blues artists, Laurie Morgan stands head and shoulders above the vast majority of the crowd. Adding the cherry to the top of a sweet Sunday, Sammy Avila and Dave Matthews add their talents throughout the disc on keyboards…not that it was needed, though a treat all the same. Morvan will be a great addition to the line-up of the Billtown Blues Festival on June 12, 2011. It is obvious why this CD was the winner in the Blues Foundation's best self produced CD contest. Come out and see for yourself what all the fuss is about. You won't regret it. - Bill Wilson Ana Popovic Unconditional Eclecto Groove EGRCD513 TIn a word, "WOW!" Ana takes it back to the roots for what may well be her most traditionally blues album to date…and she does it without losing one degree of the heat for which she is known. In fact, this may be her hottest album ever. Recorded in New Orleans, somewhat of a lifelong dream, Unconditional could be considered Ana's dream come true. To us, her fans, it is most definitely a dream come true. This is the album I knew she was capable of. Adding to the excitement, Ana is joined by Sonny Landreth, Jason Ricci, Jon Cleary and more for this session. All original material, she pulled out all the stops when writing the material for this one as well. Ana is one of the hottest guitarists in the world. Top that off with the fact that she is an incredible songwriter, as is evident in this disc, a phenomenal performer and a great vocalist…who happens to love the blues with heart and soul and you have one great package deal. Normally when it comes to Ana's recordings, while I love them and can appreciate the incredible talent, I prefer my blues a bit more on the traditional side but this one hit the sweet spot. My only question is "Where do you go from here?" This one comes highly recommended. - Bill Wilson The Porkroll Project Shake It Twice Self-Produced 2009 "Shake It Twice" is The Porkroll Project's entry in the Blues Foundation's Best Self-Produced CD Contest for 2010. The band describes their work as follows: "The music is blues, but it's done up Porkroll style. Little bit of grease, good dose of funk, whole lotta drive and grind. Throw that together with some dangerous lead guitar and harmonica, powerful organ, and rippin' piano, and you have a recipe for a night where anything can happen!" That sums it up beautifully. The CD is powerful, high energy and great to dance to. A great combination of originals and well-chosen covers, this is a timeless piece that will be every bit as relevant as it is now, years down the road. The arrangements are impeccable, the performances are flawless and the band has mastered the art of playing as a single unit rather than a half dozen good musicians each doing their thing, hoping that in the end all is well. Beautiful harp work, great horn arrangements, scorching, yet tasteful guitar work and a rhythm section that is right on the money make for a no lose situation. The band has since signed a deal with Electro Glide Records for the release of "Shake it Twice." They are on their way. There is nowhere to go but up but it is still a long, hard climb to the top. Best of luck to the winners of Billtown's 2011 auditions. May the pork fat flow like rivers of wine from this point forward. - Bill Wilson The Porkroll Project Three Legged Dog Porkroll Project 0475 I am reminded of a joke (or was it a joke?) that ended with "You don't eat a good dog like that all at once." Now that that is out of the way, it is time for business. All but four of the disc's eleven cuts were penned by the members of the band. As usual the musicianship is right on the money. The Porkroll Project is a great bar band, well able to blow the roof off most venues. Hard driving with a strong blues influence, this is the kind of stuff that brings a crowd to its feet, just what most working men and women want at the end of a long hard week. Their original tunes are exceptional, with a hard edge yet never losing sight of their blues roots and the cover tunes were done with a side order of pork fat to be sure. They left their indelible mark on everything from John Estes "Broke & Hungry" to Johnny Cash's "Folsom Prison Blues", John Lennon's "Cold Turkey" and Elvin Bishop's "Party 'Til The Cows Come Home." What I found particularly impressive was the fact that the original tunes were written by five members of the band. It is not often that so many songwriters are found in one band…and each is done exceptionally well. Each member brings his own particular style to the mix yet they blend flawlessly. This is one of those discs that would be good to put in the player and cruise down the highway. I hear a lot of the influence of the early blues/rockers but the blues is front and center. I find it impossible to pick a favorite tune as all are done so well. I am, however particularly impressed with the original tunes. Anyone can cover something that has already been done, even putting a unique spin on the number but it is far more difficult to write a number that has a timeless quality and The Porkroll Project manages to pull that off. Over all there is something here to suit everybody's taste. The Porkroll Project has another winner on their hands with Three Legged Dog. Pick up a copy especially if you like your blues with a hard rockin' edge and get out to see the band whenever possible. The purpose of a good blues band is to take the audience somewhere far from the troubles of their everyday life. This band manages to do that. They deserve our support. - Bill Wilson Rod Piazza & the Mighty Flyers Almighty Dollar Delta Groove DGPCD147 The Mighty Flyers are as tight as ever. Rod and Honey team with Henry Carvajal on guitar and Dave Kida on drums for an album that is fresh and every bit as powerful as anything they've done over their many years in the business. Almighty Dollar comes across sounding amazingly like the recordings done in the 50s and 60s by the older masters. That touch of West Coast swing is the perfect backdrop for Rod's exceptional harp playing. Rusty Zinn, Johnny Dyer and more lend an assist on this recording, putting the icing on the cake. This band plays it like they feel it, giving it an incredible emotional power. This one flows like water. The musicianship is right on the money, the vocals are superb and it has an overall sound quality that is timeless. This could just as easily have been recorded in the 50s. Rod Piazza and company have their finger on the pulse of the American people…trouble is everywhere and, as usual, the almighty dollar is pretty much the source of it all. Through it all there is a ray of hope. We will make it through to the other side no matter how tough it gets. Rod Piazza and the Mighty Flyers have done it again. This one's another keeper. - Bill Wilson Mark Ross Mixed-Up Morning Blues (Illustrated by Nathan Mellott) Mark Ross is best known by our readers as the guitarist with the Blue Hornet Band and Miss Melanie and the Valley Rats. I was more than a little surprised when I found that he had written a children's book, is working on a second, and works as a Children's Music Specialist at the Penn State Child Development Laboratory. It takes a special kind of person to do this sort of work. I found Mark's book Mixed-Up Morning Blues to be delightful…very well written and beautifully illustrated by Nathan Mellott. I have two granddaughters, a great granddaughter, a grandson and nieces and nephews. All of them love music and have a real love for the blues. I've read my share of children's books and have a feel for what it takes to hold their attention. In addition to the book there is an accompanying CD which features Ross with the Blue Hornet Band and a host of friends. This CD is a major production with Mark Ross on guitar, Jack Wilkinson on drums, Doug Bernstein on sax and Rene Witzke on bass. Special guests include John Taylor on vocals, Mark Wenner on harmonica, Wiggus on guitar, JT Thompson on keyboards, Jim Noyes on sax and the kids from Room to Grow & Bridge For Learning. This book and CD is a lot of fun… pleasing to the eye, an absolute treat for the ears, intriguing, giving the kids something to think about and to do, and one of the most innovative ideas I've seen in children's books. The book has won a well-deserved Benjamin Franklin Award from the Independent Book Publishers Association. As I stated, there is another book in the making. At the age of 59 I can hardly wait. This is a real treasure in so many ways. Looking for that perfect gift for a young friend? Mixed-Up Morning Blues might be that perfect gift. Not only does it teach music appreciation, it could well help teach your child to read. I recommend it highly whether you are three or one hundred and three. This one's a winner. Mixed Up Morning Blues can be purchased through Amazon.com and through Mark Ross' website www.markrossmusic.net. - Bill Wilson Hadden Sayers Hard Dollar Blue Corn Music 11012 Hard Dollar was a lot like tripping back through time in some respects, yet Sayers' material is fresh and exciting. All songs were written by Sayers, the musicianship is flawless and it left me feeling good, inside and out. Sayers' influences sing through loud and clear but that does not by any means say that he is imitating them. He has his own unique style and, quite frankly, one that I intend to explore further. "Take Me Back to Texas" almost pulled me from the wheelchair to the dance floor. It was Texas jump blues from the start. Then he shifts gears with a slow burning belly-rubber titled "All I want is You." This is first-rate with a definite twist of Texas from the unique blues to that sweet touch of country that gives it a down home feel, especially for an old-timer like me. I cut my teeth on Hank Williams, and while my heart belongs to the blues, so much of old country was based solidly in blues. Most old blues players say that they listened regularly to the Grand Ole Opry. If this disc doesn't make you want to dance, you're either dead or soulless. Regardless of your likes or dislikes, Hard Dollar will touch your heart and make you a fan…guaranteed! I would recommend Hadden Sayers to anyone from my grandparents to the youngest blues fans. It is diverse enough that there should be something here for everyone. This one is extremely well done and a definite keeper. This is another one of those discs I expect to buy multiple copies of to give as gifts. - Bill Wilson Eddie & Vaan Shaw Naked North Atlantic Blues Records Father and son team up for a session that is great on so many levels. First off, all tunes were written by one or the other of this incredible duo. Secondly, all the instruments and vocals are provided by Eddie and Vaan. Eddie Shaw is one of the world's finest sax players, and plays one nice harmonica. His son, Vaan, is an exceptional guitarist and both do great jobs on the vocals. While in some respects it might be considered bare bones, "Naked" is rich, full and powerful…blues the way they were made to be played and heard. At the age of 14 he was jamming with Ike Turner. From there he went on to play with Muddy Waters for a few years before moving on to play with Howlin' Wolf. He stayed with Wolf until his death in 1976. His solo career took off in the late 70s. To date he has appeared in some respect on well over 50 recordings. Straight-ahead Chicago blues, "Naked" is a delightful showcase of the talents of father and son. Exceptionally well played and full of pure raw emotional power, this is the stuff legends are made of. Even though it is just the two performing, this is one of those recordings that has earned its place among the great recordings of all time. As far as this old man is concerned, this is what Chicago blues is all about. In all honesty, it's hard to go wrong with any recording by Eddie Shaw and the Wolf Gang. As for "Naked," I like it! This is, in essence, what Eddie Shaw is all about without a lot of bells and whistles to distract from the pure, raw, unadulterated, naked truth. - Bill Wilson Gina Sicilia Can't Control Myself Swingnation Records 388011 Gina Sicilia is without a doubt one of the hottest performers on the contemporary blues scene. Widely diverse as far as styles are concerned and extremely compassionate regardless of what she is performing, Sicilia is the perfect package deal…easy on the eye, equally easy on the ear and with a delivery that is as powerful as any I have heard to date, and I've heard them all. Somewhat bare bones, though you would not believe it to listen to it, most of the instruments are played by Dave Gross. Other musicians include Matt Cowan on baritone & tenor saxophone (2 cuts), Jon-Erik Kelso on trumpet (1 cut) and Sean Daly on Lap steel (1 cut). "Can't Control Myself" has a timeless quality, sounding as if it has been around forever. The musicianship on this disc is flawless and Sicilia has a feel for the music of a woman decades her senior. The fact that "Can't Control Myself" is primarily original material, with three well-chosen covers, makes it even more incredible. Gina Sicilia is destined to take her seat among the all-time greats if she has not already done so. I recommend this piece wholeheartedly. It's one of those recordings that could be listened to repeatedly without danger of growing old. Blues and R&B infused with Soul and Americana, this one is bound to be an instant hit. It is no wonder this woman is loved worldwide. - Bill Wilson RB Stone Lonesome Traveler's Blues Middle Mountain Music 010510 Roland Bennett "RB" Stone is the real deal, no questions asked. He delivers his music with power, authority and a timeless quality that will sound as good one hundred years from now as it does today. Rock solid all-American individual through and through, Stone lived the life of a cowboy on his way to musical stardom. Now, with fifteen hardcore Americana albums to his credit, it would seem that he has reached his goal. Blues through and through with hints of his country roots shining through, Lonesome Traveler's Blues is Americana at its best. Lonesome Traveler's Blues features ten original tunes by the multi-talented singer/songwriter, guitarist, harmonica player and band leader. This is one of those discs I could put on and listen to all day and never tire of hearing it in the least. Stone writes from wells of experience that gives his music an emotional power that cuts through to the heart of the listener and makes a personal connection. When this guy sings you know that he knows what he's saying…that he has been there and done that. There's no bulls-t, wannabe star, playing bluesman here. What you hear is what you get, and what you get is pure heart and soul from a man and a band that love what they're doing. - Bill Wilson Sugaray Blind Alley Self-Produced Born Caron "Sugaray" Rayford in Tyler, Texas, Sugaray has one of the most diverse styles I've heard, ranging from solid soul to Son House, B.B. King, Muddy Waters and Howlin' Wolf on the blues end of the spectrum. He got his start in music early, while attending church. The disc sings effortlessly from hardcore blues to soul without ever missing so much as a beat. If I had to put a label on the man I would say he is a modern day bluesman. He has done just about everything there is to do musically and does it all exceptionally well. A sensational vocalist who finds himself surrounded on Blind Alley by some of the finest players in the business, Ray uses this disc to more or less flex his musical muscles. Frankly I like what I hear. I am really interested in hearing the direction he will go next. I am sure that regardless of the direction he takes, is will be a successful release. When all is said and done, the cream always rises to the top and Caron "Sugaray" Rayford will never be far from the top of the pile. He has a timeless quality that will never go out of style. Rayford is the real deal, well-versed in a wide variety of styles and good (at least) in each. Buying a copy is a good investment. The real tragedy would be to let this one slip through your fingers. - Bill Wilson Tas Cru Jus' Desserts Crustee Tees Records 41685 When I spotted the Tas Cru release on my desk, I knew I was in for a treat. Rick Bates, the band's driving force is multi-talented, well-versed on guitars (both electric and acoustic), harmonica, vocals and most likely anything you put in front of him. He is also a superb songwriter. A master wordsmith, Bates can hit you with both fists right between the eyes and have you begging for more. I knew that I was in for a treat, but this piece is exceptional. This band moves from straight-ahead blues to sultry ballads, swing and whatever else he feels might fill the bill in any given situation. There were so many great numbers here that I could not pick a favorite. "The Real Deal" put a lot of things in perspective. "Time and Time" in all honesty, left me, however briefly in tears. It has been nearly forever since a song has had that much impact. Add to raw talent the personality that leaves every man, woman and child feeling as if they have found a lifelong friend. Then we come to the band. No chain can be stronger than its weakest link and in this band I have yet to find a weak link. Tas Cru even acknowledges in the liner notes that the entire album was a collaborative effort. All I can say is "There's always room for more dessert." This band made me laugh, cry and search the deepest corners of my brain all in the scope of less than an hour. Some of the world's greatest thinkers have accomplished less. Jus' Desserts is a keeper…and sure to become a favorite. I cannot Dennis Taylor Steppin' Up Kizybosh 2001 A man (or woman) who is one with their instrument is a joy to the ears, and Dennis Taylor most certainly is enjoying this session beyond what words can express. Basic as is humanly possible, with Dennis on sax, Kevin McKendree on Hammond B-3, and a trio of their three favorite drummers. Adding that little splash of sweetness to an already exceptional recording, Delbert McClinton with whom he shared some time on the road, adds vocals on cut number 4, "Since I Fell For You." Choosing a variety of tunes from as varied a number of sources as one could imagine, the band pulls it off with a dynamic simplicity seldom seen. Most evident to all who give ear to this disc is the fact that these guys had fun playing a range of originals and paying a sweet tribute to a wide variety of friends. Basically they played songs they loved from people they held in the highest regard. Isaac Hayes, Dr. John, Buddy Johnson, Ray Charles, Leroy Johnson, Lennon & McCartney, Percy Mayfield and Dave Bartholomew are featured, interspersed with Dennis Taylor's originals. The result is a timeless piece, well worth more than a casual listen, that would hold the ear of blues and jazz fans alike. Predominantly instrumental, Steppin' Up is strong, well orchestrated and will stand with ease against any piece out there. It is a masterful piece of work that is sure to withstand the tests of time. Steppin' Up is a winner, no questions asked. His debut solo effort is also his closing work due to his untimely death in October 2010. Thankfully this is not the total scope of his work as he worked with a number of the finest bands in the world over the course of his career. As it is with harmonica players; good sax players are a dime a dozen. A great sax player, on the other hand, can bring a man to tears with a single note. The passion and pure raw emotional power that they unleash is a powerful force that has even been known to heal the sick, if just for the night. Dennis Taylor was a great sax player. While I hate to see him go, I can think of no greater sendoff. This one is a keeper to be sure. - Bill Wilson Terry Davidson & the Gears Damnation Blues Bangshift Music 9396 Hard driving music, reminiscent from the first cut of the Rolling Stones, this is the kind of stuff that fills roadhouses night after night and never leaves an audience less than fully satisfied. Terry Davidson is a master on the guitar and this band, The Gears, are equally proficient on their instruments of choice. This makes for a combination that is a sure winner, no matter what the situation. This band shows itself well-versed in nearly all styles of music, never steering far from blues or her favorite son, rock & roll. Any way you slice it this band is deeply rooted in good old-fashioned American Music. Damnation Blues, regardless of how you chose to label it flows directly from the heart and is designed to make you think and to move a good percentage of listeners to the dance floor. One of my favorite cuts on the disc is cut #7, an instrumental piece, dedicated to the memory of Mary Davidson, Betty Ann Fuller and Norma Jean Viers, but overall, the disc is solid as the Rock of Gibraltar. While this disc may not catch the ear of every listener, is extremely well played and well grounded. If you like your blues with a healthy helping of rock & roll this one is a sure bet. Even if that is not the case, I am about certain that this disc will hit some spot in your heart that will bring a smile to your face. If you happen to be a Blues purist perhaps you should pass this one by but if you have even a bit of an adventurous spirit, you may well hear what it was that made those boys from England fall in love with the blues. Any way you slice it, give Terry Davidson & the Gears a good listen. I can almost guarantee an emotional ride through your musical past. I, for one, like it! - Bill Wilson The Thrillbillys Where There's a Thrill, There's a Way Self-Produced Johnny Castle has done it again. Where There's A Thrill, There's A Way is a wild mix of originals and obscure cover tunes that will keep the bulk of the baby boomers beside themselves and dancing for joy. His is strongly related to the stuff we grew up with, a wild mix of country, rock & roll, blues, and whatever else it takes to get the job done. The job?...make a room full of people sick from the ridiculous pressures put on them in the workplace able to shake off their woes for just a while, relax and have a good time, tipping back a few with their friends. Johnny and friends do the job with ease and with a flair that leads one to believe that they've been doing it forever. From country to rock & roll and R&B, this band flows smoothly from genre to genre, era to era, making us believe in our heart of hearts that we are young again even if just for a few short hours. This is a roots based band and they are exceptional at what they do. In a word, this CD was fun. I was taken on a ride through time with stops at different moments of my listening history. This was more fun than a trip to Disneyland, though my granddaughter would more than likely disagree. On the other hand she does love music so that one's a close call. A regular member of The Nighthawks, Johnny Castle delivers a somewhat different but no less enjoyable style on this solo piece. Johnny's words to me when he handed me the disc were to "Play it loud." My words to you, the listener…"Play it often." This one is well worth more than a casual listen…a definite keeper. - Bill Wilson Tin Can Buddha Wake Up Tin Can Buddha Records This piece came to me through sources other than the US Mail and it was lacking an information sheet. It also has minimal information on the cover, so I find myself at just a bit of a loss for words. An internet search told me little more, so here we go. This is a double disc that features old friend Mitch Ivanoff (on vocal, guitar and didley bow), Rodney Hatfield (on vocal & harmonica), Lee Carroll (on keyboards), Jonathan Ragonese (on soprano and tenor sax), Mark Jones (on vocal & guitar), Chip Graham (on bass), David White (on drums), Tripp Bratton and Kwasi N. Yeboah (on percussion) and Gail Wynters and Bobby Gentillo (on vocals). The album features a great mix of blues and jam band impressionistic material that will blow your mind. Disc one is predominantly blues while Disc two offers two twenty minute jams followed by a fine rendition of "Kind Hearted Woman." It is an exceptional album through and through while some blues fans may find it a little hard to grasp. The band, when all was done, left me with a smile on my face that lasted all day. It is such an eclectic mix that even after hearing the album several times, I found gems that I had missed on previous listening. If you love jazz, blues and a bit of improvisation, this one is sure to float your boat. The CD is available at www.shop.tincanbuddha.com. If this is not your bag, it might still be a good investment just to support our brother in his latest endeavor. - Bill Wilson Johnny Winter Roots Megaforce Records 16034 Johnny Winter solo is a force to be reckoned with, add his touring band and be prepared for the time of your life…add to this a list of special guests that's like a who's who of contemporary blues and hold on for dear life. Roots is Johnny's tribute to some of the songs and artists who helped him down this road. This is more than a simple tribute album…Johnny is burning white hot and is every bit the performer he was when he signed with Columbia so many years ago. It is his first studio album in years and he is in top form. The list of folks who wanted a piece of this action is impressive to say the least. That list includes Sonny Landreth, Jimmy Vivino, Warren Haynes, Frank Latorre, John Popper, Vince Gill, Susan Tedeschi, Edgar Winter, Derek Trucks, Paul Nelson and John Medeski. Frankly, Johnny did not need the help, but it is a nice touch, looks impressive and, like an ice cream sundae, is the cherry on top. I have been a fan of Johnny since the release of his first album. Winter's guitar work is as strong as ever and his vocals are fantastic. The band is tight and the choice of material could not have been better. To say this is a "good Johnny Winter album" is pretty much redundant. Easily falling into the category of living legend, Johnny has seen and done it all. His work with Muddy Waters produced some of the best in Muddy's career. Roots is a keeper by any standard…and it is affordably priced. If there was ever a question as to Johnny's abilities, those worries can be put to rest. Johnny Winter is still alive and well. This one is worth having at twice the price. - Bill Wilson Woody and the Bluepackers Porch Self-Produced Demo While I do not as a rule review demos, when this band contacted me from the Netherlands, I was intrigued. This four-piece band consists of Kinky Pete on guitar, Wooz on harp & sax, Tommy on bass and Maks A. on drums with all members sharing vocal responsibilities. I was struck from the start. This band is tight, deeply rooted in blues, r&b and rock. In short, they are a very good bar band with the potential to "go places." What I heard was solid, tight and right on the money. There were no fireworks, nothing that made my head spin, but a rock solid base on which to build. That impresses me more by far than screaming guitars and harp going a million notes a minute. It is evident that this band has done their homework. All accomplished musicians with a deep love for the music and a musical background that goes back decades, Woody and the Bluepackers are showing themselves as a force to be reckoned with. While the disc consists of classic covers, the band is in the studio working on a full length album that is sure to include some of the band's originals. This was just enough to catch my ear. I eagerly await the full length release and will review it as soon as I get it in my hot little hands. They seem like a nice group of guys and dedicated to the music. They are certainly more than capable of doing a good job. If Woody & the Bluepackers do as well on their full release as I expect, the international blues scene has some more stiff competition. Keep up the good work guys, there is always room for another dedicated blues band on the scene and from what I can hear you are going to be here for quite some time. - Bill Wilson Mike Zito Greyhound Eclecto Groove Records EGRCD512 Singer, songwriter and one hell of a storyteller, Zito draws on wells of experience to write his songs. His influences are many but he has blended their styles into his own, a rocking "blue-eyed" soul that is timeless to be sure. Blues, R&B and a touch of good old time rock & roll blend effortlessly for a sound that I find reminiscent of Bob Seger, Bob Dylan and maybe even a touch of Jackson Browne in some respects. On the other hand it is deeply engrained in the blues. Mike Zito knows music and he knows people. A stint in a St. Louis record store set him up with a lot of knowledge and insight. Call it Americana; his new CD Greyhound is one of those pieces that, though the tunes are all Zito originals, sounds as if it has been in my collection for decades. While not straight blues, this one has warmth that is like slipping on your favorite old denim. The musicianship is nothing short of beautifully done, the songs are well-written and the vocals are great. As far as style is concerned, that can fluctuate from hard-driving blues/rock to tender ballads, without missing a beat. No newcomer to the industry, Mike released four independent releases, before releasing Today on Eclecto Groove Records in 2008. That was followed by Pearl River, also on Eclecto Groove. Greyhound is his third release on the label. Mike Zito is more than a flash in the pan, he is here to stay and I, for one am overjoyed. His music is deeply infused with soul and emotional power which helps to form an instant connection to his audience. In a word…WOW! - Bill Wilson Return to top of page

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