Brennon John, who hails from the Altoona area, is one of the finest songwriter's in the area, in my humble opinion. Global Warning is his latest. As prolific as a jackrabbit on a date, Brennon has written more than he has been able to keep an accurate count of. I am familiar with a dozen or more discs, all primarily original material, acoustic and solo. He has worked with groups and has done some rather unique electric work, but the bulk of his catalog is acoustic and solo. A master storyteller, great vocalist and masterful guitarist, John is reminiscent of the minstrel of old traveling, guitar in hand playing for whoever will give him a listening ear. What I have found amazing is that in all the material I've heard, this young man has managed to keep his work fresh. Aside from his vast original catalog, Brennon has amassed a repertoire that stretches back to before the era of recorded music when music was passed from generation to generation. A beautifully haunting album, Global Warning manages to convey a message, subtly, that unless there is a change, the end may very well be near. In short, we're all in this boat together and if we don't soon begin to pull together, this boat will sink with the lot of us on board. Yet, the message is one of hope. All is not lost. In the darkest night there is a voice calling from the darkness…keep the faith. Together we can face any challenge. As long as there is still love there is hope for the future. With the likes of Brennon John keeping watch, the future remains bright. Thank you, dear friend, for yet another offering. The words of wisdom and encouragement are deeply appreciated. Keep up the good work! -- Bill Wilson

Buckwheat Zydeco
Lay Your Burden Down
Alligator Records ALCD 4929
   With better than twenty albums to his credit, Buckwheat Zydeco is by no means a newcomer to this business. Lay Your Burden Down offers up a marriage of contemporary and traditional zydeco. Mentored by the late, great Clifton Chenier, he brings his music to a wider audience by blending elements of Rock and R&B This is party music…easy on the ears and real easy to dance to.
   Buckwheat Zydeco was born Stanley Dural, Jr. in mid-November of 1947. A child prodigy, Buckwheat took to the piano at age four or five. By the mid 50s he was playing professionally. In 1971 he formed the venerable 15-piece Buckwheat and The Hitchhikers. That band's influence on Buckwheat's sound is still heard today. It was not until 1976 that Clifton Chenier recruited him. Originally hired on as an organ player, within two years he picked up the accordion and was studying under the master. Buckwheat learned his lessons well. He formed his own unit in 1979. From 1979 to 1985 the band released seven well-received albums on the Blues Unlimited, Black Top and Rounder labels. By 1985 he had several Grammy nominations under his belt. In 1987 the band appeared in the hit movie "The Big Easy."
   Buckwheat's music speaks for itself, despite the criticism of purists who claimed he had gone commercial. Lay Your Burden Down is a solid album, deeply rooted in the zydeco tradition. My favorite cut on the disc was probably the cover of Memphis Minnie and Kansas Joe McCoy's "When The Levee Breaks." The disc runs the range from very traditional zydeco to contemporary and this band does both exceptionally well.
   Buckwheat Zydeco is considered by many to be the heir apparent to Clifton Chenier's throne. One listen and that fact becomes apparent. This is a band that must be seen to be fully appreciated. Our readers will be glad to know that Buckwheat Zydeco will be appearing at the Pocono Blues Festival on Sunday, July26. Unless you're planning a trip to Louisiana, this is the opportunity of a lifetime.
   Lay Your Burden Down is a wonderful piece, melding traditional and contemporary zydeco seamlessly. If you're not familiar with the band's work, this is a good place to start. - Bill Wilson

Tommy Castro
Hard Believer
Alligator Records 4931
Tommy Castro is one of the genre's top guitarists. Hard Believer is a great piece, incorporating soul, blues and Castro's incredible talents as a storyteller for an album that is inviting, comfortable as your worn denim and a timeless feel. Hot off the presses, Hard Believer sounds like it's been around forever. Touches of classic soul with a funky beat and extremely well put together. Castro has assembled some of the greatest musicians in the world and the result is a disc that just doesn't quit. If you're a fan of soul, blues, or just a fan of blues guitar, Hard Believer is right down your alley. There are some great horn arrangements, and the musicianship throughout is as good as it gets. Castro is a modern master and a man with a vision and one hell of a good ear. I would have expected to hear this perhaps in the late 60s or 70, when soul ruled the airwaves. The music is in good hands. This one comes highly recommended. Socially relevant and approachable by the man in the street, this is one of Tommy Castro's finest works. - Bill Wilson

Davis Coen
Magnolia Land
Soundview Productions SP1004
Davis Coen's most recent release features a full band, and is as impressive as anything I've heard from him to date. As I've stated in the past, Davis' music is like a well worn denim jacket…it may have a few rough spots here and there, but it's the most comfortable thing I've found. Backed here by Jimbo Mathus, Olga, Kinney Kimbrough, and more, Coen puts together a few traditional numbers with about an equal number of his own well-written originals for a disc that is easy on the ear, fun to listen to and free flowing as the river. The musicianship here is as good as I've heard anywhere, the arrangements are beautiful and the band is working like a well-oiled machine…everything in its proper place, working as a single unit. Davis Coen and company love the music with all their hearts and it shows. Magnolia Land has real staying power. This is one that will find its way back in the player long after the responsibility of writing a review is long gone. Having written reviews for the past 14 years plus, that is a rare quality indeed. Whether alone, facing the crowd with nothing but guitar and harmonica or with full band backing Coen pulls it off with class and style…a modern day minstrel, telling his story in song to all who will give him an ear. Magnolia Land is well worth a good listen. - Bill Wilson

Commander Cody
Dopers, Drunks and Everyday Losers
Blind Pig 5128
DCommander Cody has been around forever, and never sounded better. With twenty-three years under his belt since his last release, it comes as no surprise that Dopers, Drunks and Everyday Losers is one of the finest pieces of Americana on the market. The Commander has been everywhere, done just about everything and learned his lessons well. Good music generally springs from deep wells of experience and this release reinforces that idea in spades. This blend of rock, country, blues and whatever else the band could muster is as good as it gets. Dopers, Drunks and Everyday Losers is a collection of new songs and classics from the Cody catalog. In a word, this one is fun. Even more than fun, this is exceptional musicianship, great songwriting and as comfortable as your old denim jacket. Like a fine wine or a good scotch, the Commander has aged well. Dopers, Drunks and Everyday Losers is one of those pieces that grabs you by the "short hairs" and doesn't let go. Truth be told, every one of us has found himself in the situation the disc so wonderfully describes at least once in his lifetime. Some of us have spent a good portion of our lives there. I find myself guilty as charged. Content aside, this recording is beautifully done, totally danceable and just plain GOOD! This is one CD that will keep finding its way into your player. - Bill Wilson

Dave Riley and Bob Corritore
Lucky To Be Living
Blue Witch Records BWR106
The pairing of guitar and harmonica is one of the sweetest things in the world, and few do it better than Dave Riley and Bob Corritore. Lucky To Be Living is the duo's second release together and, while not earth shattering, this is one fine piece of work and a delight to the ears. The duo work as a single well-oiled machine and the backing musicians on bass and drums are right on the money. Riley has one of those voices that is perfect for the genre, sounding as if you could hear every cigarette, every shot of whiskey, and every smoke filled room. It is the kind of roughness that feels good, like velvet. Then there's Bob's harp work…every note perfectly placed and, unlike so very many, not overplayed. This is the mark of a master, as too many harp players feel obligated to fill every empty spot simply because they can. In short, this is a fine piece of work. If you like the combination of guitar and harmonica, you will be sure to enjoy this one. - Bill Wilson

Debbie Davies
Holdin' Court
Little Dipper Music LDIP001
For a while there, instrumental pieces were quite commonplace. They seem to have fallen from grace, but have been making a strong comeback lately, many issued through the VizzTone Music Group. Debbie Davies is one of the world's finest Blues guitarists and has produced some great instrumental pieces over the years. At the urging of friends and after listening to such pieces from her heroes, Davies decided to take the plunge. The result is one of those works that should be in the music collection of everyone who has ever dreamed of being a blues guitarist or who, for whatever reason loves the instrument. Primarily Davies' originals, Holdin' Court is a clear indication of just how great a guitarist she really is…un-muddied by vocal content and other "distractions." I am reminded of my mother, who loved to put on music during meals. She said it helped with digestion and made for a pleasant background for conversation. While I would hardly consider this "lounge" or dinner music, I can certainly see her point. The arrangements here are flawless and the musicianship is nothing short of world class. This is by no means a sedate piece of work for those who are looking for a sleep-aid. Holdin' Court jumps, swings and wails. This one could fill the dance floor without question, yet is so tastefully done it could be played anywhere, for anyone and would be enjoyed by all. As a blues lover I find this one extremely inviting. Were I a guitarist I would most assuredly deconstruct it and steal a lick or two. That IS the way of the blues. Holdin' Court is a true masterpiece performed by a woman with power, passion and finesse…a true master of her instrument. -- Bill Wilson

Guy Davis
Sweetheart Like You
Red House Records RHRCD211
   It’s good to hear Guy with his full band again…then again, Guy Davis solo or with full accompaniment is most definitely worth the effort of tracking down the disc.
   "Sweetheart Like You" is no exception. That particular Bob Dylan cover may be one of the finest numbers ever written, and Davis does it justice to be sure. A master storyteller, incredible musician and superb songwriter, Davis does a beautiful blend of originals and well-chosen covers for a CD that is nothing short of flawless. As I’ve said countless times in the past, “an artist can only be as good as the musicians accompanying him.” With a band like this there are no limitations.
   This is one piece I find myself going back to on a regular basis. It’s got a timeless quality and is exceptionally easy on the ears and the soul. This one comes with my highest recommendation. There’s not a weak tune on the disc. From Dylan to Leadbelly, Son House, Big Joe Williams and Willie Dixon, but Guy Davis nails them all, making each tune his own, not easy to do when covering songs by artists who are larger than life. It takes something major to cover the likes of Willie Dixon’s “Hoochie Coochie Man,” Muddy Waters’ “Can’t Be Satisfied,” Son House’s “Down South Blues” and “Baby Please Don’t Go,” perhaps the most covered Blues tune of all time, but Davis pulls it off beautifully… and his originals are superb. – Bill Wilson

Chaz DePaolo
Bluestopia
Rojer Records
After a slight miscommunication I finally received a copy of Bluestopia for review purposes. It was well worth the wait. Chaz is one hell of a guitarist with a widely diverse style. His vocals are strong and he is a better than average songwriter and arranger. Receiving self-produced CDs is always like having a birthday party in a war zone…does it contain the gift of a lifetime or is it destined to blow up in your face. The cover design was great. All artists were properly credited and there was enough information given to introduce the artist…always a good sign, but you can't judge a book by its cover. Chaz and the band get an assist from David Maxwell on several tunes and Jason Ricci on the closing number. While not always needed, this is a nice touch. The songs on the album ran the gambit from rocking numbers that will draw listeners to the nearest dance floor to slow burning "belly rubbers" that will have you and that special person in your life as close as white on rice. Immaculately played and well laid out, this one flowed like water. I am a firm believer in the fact that an artist can only be as good as his (or her) supporting crew, and this was as tight a band as I've heard anywhere. In short, after multiple rides through my system, Bluestopia holds up. Chaz DePaolo may never be a household word, but this CD is well worth the price and easy on the ears…a definite keeper. These guys have a love for the music that is evident from the opening notes to the closing of the final track and the songs were written from deep wells of experience. Regardless of how good an artist may be there is no way to fake that. This is the real deal, genuine, heart-felt and able to reach to the heart of the listener. - Bill Wilson

Mary Flower
Bridges
Yellow Dog Records 1642
   Mary Flower is one of the premiere fingerpicking blues guitarists. Well versed in a number of guitar styles, Mary's newest release is a real gem, mixing treasures from a variety of old masters and original tunes that sound as if they had been written in the 20s and 30s for an album that rates among the best I've heard to date. This was one of those pieces that was so good that, after one listen, I opted to buy several copies to give to friends.
   The guitar work is immaculate, the vocals are superb and the songwriting is such that it is nearly impossible to tell where covers end and originals begin. Mary Flower is a master singer, songwriter, musician and storyteller, reminiscent in some respects to Rory Block. As each number ends I think "that's one of my favorites on the disc." then the next number begins. Elements of jazz, blues, folk, bluegrass and ragtime can be heard throughout. Listening to this disc is like taking a ride in a time machine. The listener is transported through time. I half expected to leave the house and run into Tampa Red, Bessie Smith, Big Bill Broonzy and the like.
   This is one piece deserving of a Blues Music Award…at least. Mary Flower's Bridges has got to be heard to be believed. This one is destined to be on rotation in my player for quite some time. Check it out…you won't be disappointed. In fact, buy several copies. It never hurts to have a spare. It's that good! -- Bill Wilson

Homemade Jamz Blues Band
Got Blues For You
NorthernBlues Music NBM0055
   For a band whose members have barely reached puberty, the Homemade Jamz Blues Band crank it out like seasoned veterans who know the heartbreak and despair of love gone bad, the crappy economy and the need to feed a family and care for their needs on minimum wage…or less. Much of that comes from living in the Deep South, where such matters are the rule and not the exception.
   Much has been said about the difference between being good and being good for their ages. The Perry clan is as good as it gets by any standard, bar none. Much of the writing appears to have been done by father, Renaud, but the band has everything they need to bring it all together. It should be remembered that many of the old masters were playing professionally by the same age as the Homemade Jamz Blues Band. They are in good company to be sure…and growing.
   Got Blues For You, their second release shows improvement over the first. In short, given time, the sky's the limit. My hope and prayer is that they continue in their obviously hard work, take the time to be kids, if just for a while and continue under the watchful eye of those who love them. The sea is full of sharks and times are tough. I hope to be hearing from them for years to come.
   I have been overwhelmed by the originality of this piece. The only cover on the disc appears to be "Grits Ain't Groceries." The musicianship on this album is immaculate, the arrangements superb, songwriting is exceptional and the vocals are far better than I could have ever expected. My favorite tune on the disc was probably "Heaven Lost An Angel," but it was a close call…so many tunes are so good. My advice, buy the disc and, if given the opportunity to see the band perform live, don't miss it. They've got the stage presence of bands decades older. These "kids" are the real deal. - Bill Wilson

Big Jack Johnson
Katrina
Big Jack Music
Big Jack Johnson is one of those artists who has reached legendary status at a relatively young age. In many parts of the world it could be said that he is, indeed, a "household word." This is a status reached through many years of hard work, playing night after night in many places not much larger than your living room. He has recently joined forces with The Cornlickers, a Pennsylvania-based band with musical roots and hearts that are deeply rooted in the Mississippi Delta. Dale Wise and company offer the perfect showcase for Johnson's incredible talents. As I've stated so often in the past that folks get tired of hearing it, "a performer can only be as good as his backing band"… and The Cornlickers have what it takes. They may be from north of the Mason-Dixon Line, but this band has what it takes to get the job done. More than just the musical skills, this band is Mississippi Delta through and through. Katrina is a deeply personal album for Jack, something he was unable to do under former management. His control extended to the picking of album photos and all musical content. He sings of people, places and personal experiences that are an integral part of what makes Big Jack Johnson great. The band had a great time making this recording and, not only does it show, the fun is infectious. This is one CD I can say is actually great. Given the opportunity, get out to see the band live. If the opportunity arises to see him on his home turf, don't miss it! Live, this band can be a life-changing experience. If that is not an option, buy the CD. You will not regret it. Katrina is Big Jack Johnson at his best. - Bill Wilson

Dennis Jones
Pleasure and Pain
Blue Rock Records
Dennis Jones is an exceptional guitarist, with a great voice, good timing and great delivery. This one is very well put together, played to perfection and a joy on the ears. Jones knows what his audience wants to hear and delivers the goods with power and authority without losing sight of his goal. Pleasure and Pain is a solid blues piece with a hard enough edge and such immaculate guitar work that it would probably do quite well even on commercial radio. Yet, it is blues through and through. Dennis Jones has a gift that should be shared with the entire world. While I do not personally see this one selling a million copies right out of the chute, I believe that it will become one of those pieces treasured by all who own it and sought by all who do not take the opportunity to buy it while it is readily available. Buy it now and, while you're at it, hire him for your club or festival while you can. This guy is hot!...no two ways about it. Dennis is dynamic, energetic, passionate and right on the money. His band knows what needs done and knows how to do the job well. Combine the two and it is hard to miss. - Bill Wilson

Bruce Katz Band
Live at the Butterfly
Brown Dog Music CD1001
This piece is a delight to the ears…well written, the arrangements are wonderful and the performance is flawless. I am delighted also to say that the recording was one of a very few that captured the moment. Many live recordings come out sounding flat, missing the excitement of the evening. Of the dozen tunes recorded here, eleven were written or co-written by Katz. The remaining tune was a well done cover of Mingus' "Better Get It In Your Soul." A beautiful blend of jazz, blues and r&b, Live at the Butterfly is perfect for the small intimate gathering or just something nice to put on while having dinner. My mother was fond of instrumental pieces, as they allowed her the option of doing other things while listening. I found myself being swept away to exotic places, my pains and troubles gone, if only for the moment. I would recommend it highly to fans of blues, jazz, and anyone who just wants a moment to unwind. This one ranges from upbeat, boogie-woogie numbers to slow, heartwarming ballads. In short, it's got something for everybody. You really can't go wrong. - Bill Wilson

Ann Kerstetter
Duke Street Diary
Green Valley Recording
Ann Kerstetter's second release is a pretty impressive piece, showcasing the band's talents as songwriters, containing only two covers, Ann Rabson's "Annie's Blues" and E.G. Kight's "If You Ever Touch Me." The remaining tunes were furnished by Kerstetter, Greg Burgess and Andy Seal…and it is quite an impressive set. These are diehard musicians who give heart and soul to their music, and it shows. Well worth the cost, Duke Street Diary is the work of world-class musicians. In my opinion, the disc's high point was Greg Burgess' "When your Smile Warms Me Like The Sun"…a beautiful jazz oriented piece that tugs at the heartstrings and warms the heart. The only piece I found weak, and it could have just been a bad day on my part, Kerstetter's "Duke Street Down in Memphis." Even that is well worth a listen. This album is well written, well orchestrated, beautifully arranged, well played and about as good as it gets. For a local band recorded at a local studio, I am amazed, although I must admit that from these musicians I would have expected no less. This is top shelf, through and through. This one's a keeper! Buy the CD to be sure and, given the opportunity, get out and see the band live. You will not be disappointed. - Bill Wilson

David Maxwell & Louisiana Red
You Got To Move
Blue Max Records BMCD002
Two masters of "old school" Blues gather to record together for the first time. The result is nothing short of magical. It could just as easily been Muddy Waters and Memphis Slim. If you're like me, a lover of traditional blues, this is one of those discs that gets purchased without a second thought. After hearing it I have to say it would not be a bad purchase. This is bare bones blues, like it was heard since the music began in small roadhouses and house parties throughout the Delta. The depth and intensity of these two veterans, with no frills and no pyrotechnics is seldom matched even by full bands. This is pure power and raw emotional energy. I have been a fan of Red's for years and have watched Maxwell's career for quite some time. The two work together like a well-oiled machine. This is as real as it gets. If you're looking for rehashed rock & roll masquerading as blues pass this one by. While I love good old-fashioned rock & roll, I found my love in the roots…and You Got To Move is as close to the roots as it gets. This purchase is a "no brainer." - Bill Wilson

Coco Montoya
The Essential Coca Montoya
Blind Pig 8010
Coco Montoya got his start studying at the feet of modern Blues masters Albert Collins and John Mayall…not a bad place to start, to say the least, but he didn't stop there. The Essential Coco Montoya contains recordings that are now a decade old, looking back to the time when Montoya was coming into his own. Powerful, passionate, highly emotionally charged and impeccably played, the tunes on this disc are among the finest the world of blues/rock has to offer. Montoya has done nothing but grow since the very beginning, never satisfied to stay in one place for too long. This is a world-class musician of the highest order…a true modern master. While these "Essential" or "greatest hits" releases contain material already in most of our collections, it is nice to pull the best of the best onto a single disc from time to time. The Essential Coco Montoya is certainly a beautiful piece that might have been better titled "Volume One." There is so much more to explore, but this is a great place to start. From hard rocking, give it all you got numbers to slow-burning soulful ballads Montoya does it well. This one, "Best Of" or not, is a keeper. - Bill Wilson

Cyril Neville
Brand New Blues
M.C. Records MC0064
   Cyril Neville's Brand New Blues presents us with a wonderful mixture of old, new, borrowed and, most definitely blue tunes that are as relevant today as when the cover tunes were written, proving, once more that the blues is universal and eternal. This is the history of mankind…his joys, his sorrows and all those dead spots in between that we all experience and none understands. With the aid of Ivan and Art Neville, Tab Benoit, Jumpin' Johnny Sansone and more he pulls off a recording that is timeless and distinctly New Orleans in origin.
   Cutting edge and contemporary, Cyril Neville manages to let his roots shine through. This is a recording we can all relate to on one level or another in these troubled times. Rich or poor, in this age we are beginning to find ourselves all in the same boat. While some may not yet realize it, we are all in the same boat and if we do not soon begin to pull together that boat will most undoubtedly sink. Brand New Blues has a way of going straight to the heart. It makes it abundantly clear that in the midst of the darkness, if you look, you will see a light shining. There is always hope, no matter how dark the night.
   The musicianship on this disc is hauntingly beautiful, the vocals are soulful and hard hitting and it is well put together. Frankly, I love this one. It's a keeper. - Bill Wilson

The Nighthawks
American Landscape
Powerhouse Records POW 126
The Nighthawks are maintaining their reputation as the best bar band in the business. This is one of those bands that, while the CD may not go platinum right out of the chute, thirty years from now, the disc will still be selling. Mark Wenner once told me that he'll take a good song wherever he finds it, whether from the Blues, Country, Pop, Folk, Gospel…wherever! The man with an ear for quality has been delivering quality goods to his audiences since the band's inception. American Landscape is no exception. The band delivers a flawless set that includes covers from Tom Waits, Dylan, Ike Turner, Berry Gordy, Steve Cropper and more, putting their unique style to everything they touch. This disc would go over just as well in a country bar as in a biker bar…among the well to do as well as those who are just a step away from living under the bridge. The Nighthawks are superb artists who have their fingers on the pulse of the music loving public. From hard driving songs to slow burning "belly rubbers," The Nighthawks deliver the goods in such a way that the listener knows that every word is drawn from deep wells of experience. The public relates. The road goes on. In the distance I hear the roar of vintage bikes, the howling of a coyote, the cry of a harp and a fiendish laugh. Long live the road warriors. In the turmoil that is today's world, some things remain constant. Mark Wenner and company have done it again.
- Bill Wilson

Darrell Nulisch
Just For You
Severn Records 0047
Darrell Nulisch is a soul man of the highest order. He has a vocal range that could soothe the most savage of beasts or bring a Ghandi to violence. Words are our most powerful tools and in the hands of a master, can do wondrous things. Just For You is reminiscent of Otis Redding, and Redding, Wilson Pickett and the like set the bar pretty high for those who followed. Just For You is classic R&B through and through, that has the sound and feel of the work done by the old masters. From upbeat numbers that bring people to the dance floor to slow-burning ballads packed with passion, Nulisch has what it takes to get the job done and done right. This is one that will remain in rotation in my system for quite some time. Darrell, like a fine wine is improving with age…and I should point out that he was good to start with. He was a founding member of Anson Funderburgh and the Rockets, singing with them in the 80s. He is also a veteran of Ronnie Earl & the Broadcasters, but he went off to pursue his solo career in 1991. He appears on better than fifty albums over all. Originally inspired by old masters like Otis Redding and Al Green, now Darrell Nulisch serves as inspiration to a new generation. Bottom line, this is the real deal. To find music like this, you'd have to blow the dust off your old vinyl. Kick back, relax and enjoy hearing a true Soul Man doing what he loves and does best. - Bill Wilson

V.E. Paul
Susquehanna Stomp
Green Valley Recording 0908
   Be forewarned that I am not normally even inclined to listen to the work of the young up and coming artists. What could they possibly know about the Blues? Well, don’t let the cherub-like face on the cover fool you…V.E. Paul comes across with all the grit and savvy of a man four times his age. I agree with Bob Margolin, who referred to the 15-year-old prodigy as “an old soul.” Paul blends technical excellence with heart and soul for an album that is nothing short of a masterpiece.
   Amazingly enough, I found the vocals strong and soulful as well…quite a feat for a player of that age. The influence of the Masters is clearly evident. Even the seven original tunes on the disc sound as if they could have been written in the 20s or 30s. These were the tunes that caught my ear. Anyone can do a decent cover of someone else’s tune…good musicians can do incredible things given the proper tune, but to write songs with this much depth and understanding takes a rare performer indeed. V.E. Paul is just such a performer. If he continues along this particular path with the same level of intensity, he will, in time, take his seat among the masters. This young man has true potential.
   Congratulations on a job extremely well done. He enlists the backing of Wayne Sorbelli on guitar and Tom Martin on harp on “Susquehanna Stomp” and Martin’s harp work again on “South Main Street.” Otherwise, it’s all Paul. It’s a long hard road, full of distractions and pitfalls, but with dedication, hard work and a deep love for the music, V.E. Paul could go all the way. He’s certainly got the tools and know-how to do the job. – Bill Wilson

Various Artists
A Tribute To James “Yank” Rachell
Yanksville Records 012708
   The world’s greatest mandolin players came together to pay tribute to the recently departed mandolin legend who served as mentor, teacher and friend to them all, Yank Rachell. With the exception of five of the disc’s twenty-one tracks, all tunes were penned by Rachell.
   Born on a farm outside Brownsville, Tennessee, Yank was also proficient on guitar, violin, harp and was an excellent vocalist. He picked up the mandolin at the age of eight and essentially taught himself to play. He had an encounter with "Hambone" Willie Newbern who helped him in his early years. He began to work dances and the like with Sleepy John Estes in the early '20s and with the exception of doing a bit of farming and working for the railroad for a while, the music never stopped. He toured extensively with John Lee "Sonny Boy" Williamson, a young harmonica player in whom he saw great potential. The pair worked together off and on until Williamson’s death in 1948.
   After the death of his friend, Yank drifted from the music business and relied on other jobs to support his family. With the death of his wife in 1961, Rachell resumed playing for a living. In 1962, Rachell was re-united with Hammie Nixon and Sleepy John Estes, and the three of them began tearing up the college and coffeehouse circuit, recording for Delmark as Yank Rachell's Tennessee Jug Busters.
   From the death of Estes in 1977, Yank pursued his solo career. He died in 1997 at the age of 87, leaving behind a wealth of recorded materials both solo and with other performers.
   This tribute disc is beautifully done by players whose lives he touched in one way or another. The list of performers on the disc is lengthy, but includes the likes of John Sebastian, Rich DelGrosso, Andra Faye (of Saffire fame), Mike Seeger, David Grisman, Tim O’Brien and more. The scope of his influence knew no bounds. His legend lives on. If you are not familiar with his work you owe it to yourself to correct the oversight. You won’t regret it. – Bill Wilson

Paul Rishell & Annie Raines
A Night In Woodstock
Mojo Rodeo Records MOJR1950
Paul Rishell and Annie Raines are an incredible duo. On this outing, recorded live in Woodstock, NY, they enlist the aid of a number of talented friends who fill out the sound nicely. With Reed Butler on bass, Billy MacGillivray on drums, Chris Rival on guitar and special guests Bruce Katz on keyboards and John Sebastian on harmonica the result is nothing short of beautiful. What was intended to be a gig in an out of the way club ended up being a phenomenal night of music caught by a top-notch film crew. With any luck the video will be released in some form in the near future. It was initially recorded in 2005, as part of a larger project by Todd Kwait who was doing a documentary on jug bands. The final result remains to be seen, but I am thankful that this much has surfaced. It has been a good year for Americana music that sounds as if it could have been done in the 20s or 30s. This piece is a “must have” if you’re a fan of guitar and harmonica, that basic music produced by jug bands throughout the ages or traditional Blues in general. You will not be disappointed. Paul Rishell and Annie Raines have yet another hit on their hands. – Bill Wilson

Rotten Belly Blues
Rotten Belly Blues
Rotten Belly Society Music 23316
What's in a name? When this one floated across my desk I didn't know what to think. I put it in the player, hit play, and was completely blown away. This is reminiscent of Bob Dylan and classic blues. Their influences are clearly evident, but they are not imitators in the least. The musicianship is right on the money. All of the tunes were written by "Rotten Belly" Michael and are delightful. Michael is an accomplished storyteller who has a real way with words, and the band is honestly one of the best I've heard in some time, especially given the fact that they are regional artists. One look at the liner notes was all it took to explain the phenomenon. Among the performers are several members of the Cornlickers, the band that regularly backs the legendary Big Jack Johnson. This band has a sound that refuses to be put in a box. They are unique, refreshing and totally entertaining. Given the opportunity, go out to see this band. If the disc is any indication, they're well worth the cost of admission and then some. Rotten Belly Blues is a band with something to say that is well worth hearing. -Bill Wilson

Saffire - the Uppity Blues Women
Havin’ the Last Word
Alligator Records 4927
   After twenty-five years together and with Alligator Records, this bawdy trio is deciding to go their separate ways. We are assured that this is not their individual ends, but, rather, new starts for the three. They’ve still got plenty to say and will continue to do so when the time or need arises. While there is a part of me that mourns the trio’s passing, yet another part eagerly awaits to see what is next in store for excited fans.
   For calling it quits, so to speak, no one does it with greater finesse than the Uppity Blues Women. “Havin’ The Last Word” may be their finest album to date. Each of the three has the opportunity to showcase their talents as singers, songwriters, and instrumentalists. I don’t know when I have seen a more balanced CD. Each is represented in turn and the pieces fit together seamlessly. This is a real piece of beauty.
   Over the years I have heard the trio referred to as nothing more than a novelty act. I beg to differ. Saffire, collectively and individually are well versed in the works of those brave women who have come before them and are carrying on a fine and honorable tradition. Never before, with the exception of their predecessors has anyone made me laugh, cry, slapped me in the face when need be to get the point across and made me love them even more in the process. The mixture of humor, sexual innuendo, good times and social relevance set this band apart from the rest. They were not afraid to tell the truth, even if it might hurt. They have a way of putting their message across, leaving their audience thoroughly entertained in the process.
   Having come to know them over the years, I have found that the only thing greater than the love of their audiences is the love they give in return every time they take the stage. Every life touched by their music has been changed for the better…bar none. From the opening notes of “Going Down To The River” to the closing of “The Bad Times” this one is superb. Hats off to Bonnie Tallman, their manager, as well. I am certain it was not always a bed of roses, but the hard work, determination and love or the music is evident.
   Thank you all for another job well done and for the occasional swift kick in the seat of the pants when needed. Much love and keep up the good work in whatever you may chose to do. – Bill Wilson

Shout Sister Shout
Hit That Jive
M.C. Records MC0063
   Shout Sister Shout is reminiscent of the Jazz of the 30s & 40s. Rachael Davis has what it takes to pull it off, whether we're talking about torch songs or bluesy ballads. Add to her phenomenal voice the backing of a first-rate band, well versed in the music of the era and masters on their respective vintage instruments and you've got a winning combination.    Rachael and the band formerly known as "Steppin' In It" have done a great job at recreating the sound and feel of those earlier recordings. Hit That Jive is as authentic and real as it gets. These are seasoned musicians playing songs that give us all pause to reminisce. While this is an album composed strictly of cover tunes, it is superbly played, the arrangements are wonderful and the end result is a delight to the ears. This is as close to time travel as it gets…yet the band has made every effort to make each song their own, and have done a fine job of it.    Short of resurrecting Billie Holiday, Louis Jordan, Ella Fitzgerald and the like, this is as good as it gets. The folks at M.C. Records have an ear for the real deal and emotionally charged sincerity. This one comes highly recommended. - Bill Wilson

Gina Sicilia
Hey Sugar
SwingNation Records 50382
   Gina’s second release on the label, Hey Sugar, came as no great surprise. Her debut release, Allow Me to Confess, is nothing short of a masterpiece. Whether a natural talent or the result of years of hard work, Gina has a gift and is using it extremely well.
   A compilation of four well-chosen covers and nine Sicilia originals, Hey Sugar is beautiful and powerful. This woman possesses a timeless beauty that goes much deeper than the obvious outward trappings. Once again she has surrounded herself with some of the best players in the business.
   One look at Gina Sicilia leads one to ask where all that wonderful sound is coming from. Gruff and fierce as a mother lion protecting her cubs on the one hand, Gina also delivers a tenderness that is almost beyond belief. All of the disc’s thirteen tunes are well written, but perhaps my favorite is her cover of Dolly Parton’s “Coat Of Many Colors.” Her spin on the tune makes it her own, a difficult task for even the most seasoned professional.
   If you’ve not yet had the pleasure of hearing her, you owe it to yourself to do so. Either disc is well worth the money. This recording has a timeless quality about it that ensures that it will be in demand long after I’m gone. Gina Sicilia is a rare talent indeed. – Bill Wilson

Super Chikan
Sum' Mo' Chikan
Chikan Howse Productions CH001
   Distributed by Vizztone Label Group, Super Chikan plays it like he's heard it done his whole lifetime…straight up and honest, with plenty of Soul and raw emotion. A night with Super Chikan is a night of fun, plain and simple. This is Blues straight from the heart of the Delta and straight from the heart. This is the way it has been heard in out of the way Jukes and informal jams throughout the South from the beginning. Traditionally folks would work hard all week and when the opportunity came to cut loose and have a good time, that's exactly what they did…and nobody does it better than James "Super Chikan" Johnson.    This disc rocks. The band is right on the money and it's more fun than is allowed in some states. One thing I know for sure, and that is everybody loves Chikan (regardless of how you choose to spell it.). The playing is delightful, it's fun to listen to and it's the real deal. Super Chikan is not some washed up rock & roller, grasping at straws, trying for one more shot at immortality. He's a man, in his prime who has the tools to do the job and will stop at nothing to satisfy a hungry audience. Give Sum' Mo' Chikan a listen. You won't be disappointed. - Bill Wilson

Tas Cru
Grizzle & Bone
Crustee Tees Records 0901
Tas Cru hits their audience with everything they've got, right out of the chute. This is pure roadhouse blues, using whatever is needed to do the job. They've got the tools they need to do the job properly and do so with power, authority and more than a small touch of fun. This band runs the full range, from hard rockin' to slow, heart-felt ballads that reach straight through to the heart of the listener. Technically flawless and charged with raw emotion, this band walks that fine line as if it were a six lane highway. This is fun to listen to, easy on the ears and sure to get the blood pumpin' and the feet in motion…and the cover is nearly wasted on the CD format size…a take-off on the classic "dogs playing poker." Primarily originals, even the disc's one cover tune is a thing of beauty. The arrangement on "Higher and Higher" is impressive to say the least. This is a band worth searching out. Given the opportunity, catch their show. If that's not possible, buy the disc. You won't be disappointed. This is one band that has what it takes to take you wherever you need to go. Tas Cru have a real edge, perhaps more than one. They can be rough and raw enough to peel paint off the old Studebaker. On the other hand, they can be smooth as silk…and they make the switch seamlessly. This band has something special. You will not be disappointed.- Bill Wilson

Walter Trout
Unspoiled By Progress
Provogue Records PRD7285
Much more than a greatest hits collection Unspoiled By Progress is a new album consisting of songs collected over the course of his illustrious twenty year career. Included are three new original tunes plus a pile of previously unreleased live and studio recordings with various bands. Pulling it all together and making it all flow was a massive undertaking, but well worth the effort. From a technical standpoint, this one is amazing. If you like your blues/rock with a bit of a heavy edge, you'll love this one. Regardless of whether you're a fan of his particular style or not, this one is certain to get your attention. It is extremely well put together, very diverse and in every respect, impeccable. Trout's guitar work is second to none and the recording has all the power of a single, uninterrupted live show. It you're a Trout fan, Unspoiled By Progress is an absolute must. If not, it's still well worth a good listen. While I prefer my blues a bit more on the traditional side I found this one held my ear from beginning to end. Congratulations on a job well done. It was no easy task! The guitar work throughout the piece was enough to make a diehard fan of even me. Give this one a good listen. - Bill Wilson

Various Artists
Chicago Blues: A Living History
Raisin Music RM1003
   When I first started writing for the Blue Notes, most of the folks on this double disk package were known as the "young lions," those young bucks who were on their way up…the next generation so to speak.    Today, Billy Boy Arnold, John Primer, Billy Branch, Lurrie Bell and the others are among the front line players and among the last of the living link to old Chicago blues…studied at the feet of the masters and took those lessons to heart. With Chicago Blues: A Living History, they pay tribute to their mentors and offer the listeners a comprehensive look at Chicago blues, the living history.    The idea was to show the progression of the music through the years. Disc one begins with John Lee "Sonny Boy" Williamson's "My Little Machine" from 1940 and continues through the early 50's, closing with Little Walter's "Hate To See You Go." Disc two picks up in the mid 50's and continues through the present, ending with Buddy Guy's "Damn Right I Got The Blues."    Beautifully orchestrated and flawlessly performed, this compilation, while not a comprehensive walk through the past fifty years or so of Chicago blues manages to demonstrate the music as a living, growing entity. A comprehensive history would take countless volumes.    Not intended to be a copy of the originals, each song was carefully picked by all artists involved, each artist making the song his own rather than delivering a straight "cover" album. The music is ever changing, often nightly, reflecting not only the time, but also the mood of the artist at any given moment. This recording was done with the utmost respect for the originators and with the sincere hope that their legacy live on forever.    It is a delightful tribute to the music and those who lived it and played it with all their heart and soul and should be added to the collections of everyone who considers himself (or herself) a lover of Chicago blues. - Bill Wilson

Victor Wainwright and the Wildroots
Beale Street to the Bayou
Wildroots Records
Beale Street to the Bayou is a fitting title for the debut release from this band. This is one of those pieces I felt a love for from the opening notes, one of those things I put on when I have a need to regroup and relax. A smooth melding of jazz, blues and r&b, this recording has the feel of something that has been around forever. Extremely diverse with great songwriting, exceptional arrangements, flawless playing and vocals soulful enough to make Otis Redding sit up and take notice, Beale Street to the Bayou has something that is sure to get your attention, no matter what your taste. This one slides seamlessly from soul and r&b to hard driving numbers that are sure to get your feet moving and slow-burning soulful ballads. If I had to choose a single word to describe the disc, it would be "timeless." The big question is "Where do they go from here?" I can honestly say they've got Beale Street to the Bayou well covered. This disc is a virtual melting pot of styles and textures that cover the full range. The recording is a party in full swing…just add friends. - Bill Wilson

Watermelon Slim and the Workers
No Paid Holidays
Northern Blues Music 0047
   The more I hear from this band, the more impressed I get. Contemporary blues to be sure, this band has quite an edge. They can rock it out with the best of them, but have, by no means, lost touch with their blues roots. Most impressive is the fact that they have their finger on the pulse of the workingman.    Slim's harp work is impressive to say the least and he is equally good on guitar and slide. His vocals are great and he is an exceptional storyteller. Then there's the band. This band has enough energy to leave the "Energizer Bunny" in the dust. They just won't quit, and are right on the money. On this recording they get an assist from David Maxwell on piano on two tracks and Lee Roy Parnell on electric slide on one track. The band runs the spectrum from soulful ballads to hard driving, knock your socks off rockers, and makes it sound easy. They've got the tools to get the job done and know how to use them.    This is music the average working stiff can relate to. No Starbucks and Mercedes here, this band is drinking yesterdays coffee from a paper cup and riding either the bus or a beat up pick up truck. This is as close to ground level as it gets. It is intense, honest and highly emotionally charged. These guys mean business. - Bill Wilson

Watermelon Slim and the Workers
Escape From the Chicken Coop
NorthernBlues Music 0054
Watermelon Slim and the Workers are the voice of working men and women worldwide. If you've ever laid hand to tool (any tool at all, so long as at the end of the day you're shot to hell) you will relate to this band. There's no pretense here. What you hear is what you get. Until recently, Bill Homans (Watermelon Slim) was driving truck, hauling industrial waste. Not one of us, if we've got hearts at all, has not passed by the stranger in need, only to feel the regret. I, for one, have been on the other side. May God continue to bless you if you've never had that experience. I keep searching for a simple reason why I have such a soft spot for Watermelon Slim and the Workers. I guess it all comes down to "hope." If Slim can make a go of it, there's hope for us all. What makes him so endearing is that, through it all, he remembers who he is and where he came from. I would not want to leave anyone with the impression that his days of hard work are over. This may well be the hardest working band in the world. Working musicians deserve far more than they get, to be sure. The ability to bring just a moment's comfort to the masses is no easy task…and it's all too often a thankless job. America has many heroes abroad. No less the hero are those bringing that little bit of joy to us at home. Escape From The Chicken Coop is pure Americana…the song of the minstrel, keeping the story of the people fresh and alive…and there's no better storytellers out there than Watermelon Slim and the Workers. - Bill Wilson

Kenny "Blues Boss" Wayne
Can't Stop Now
Electro-FI records 3407
Personally, I'd have bought the disc for cut 4, which includes the late, great Jeff Healey, but the remainder of the album was equally delicious. From the rousing, New Orleans flavored "Boogie Woogie Mama" to the closing notes of the equally rousing "The Party's Over." This one captures the spirit of a thriving New Orleans through and through. This disc says loud and clear, "Let the good times roll." The city faced devastating adversity, but is regaining its former glory. Can't Stop Now is a tribute to the Crescent City and evidence that all is not lost. This is a party on a single disc…one of the better pieces I've heard all year. It is diverse, easy on the ears and easy to dance to and very well thought through and produced. This is a piece with major staying power…one of those things that sounds as if it has always been here….a definite keeper. - Bill Wilson

Return to top of page